Laura Alice

March 3rd, 2011

Laura Alice's table

I had been planning the menu for well over a month.

We’d set the date for a week after our return from a trip to England, and the whole time I was there I was taking notes for the dinner party I wanted to throw for these fellow Anglophile friends of ours at home. Friends with whom we share an uncanny—and rather rare—sympathy over most all things and whom we’d gladly have stuffed in our suitcase to go with us if we thought they’d make it through customs. I wanted to bring back a little of the Blessed Plot for them. I wanted to gift them with an evening that spoke my love to them all, and how beautiful it was to have such friends to come home to.

“England has everything I could ever desire,” I must have told my husband a thousand times while we were there, “everything—but my people.”

And so it was a gala affair, not only because we’d been gone for so many weeks and reunions were in order, but because it was the October birthday celebration of both of the wives of our triumvirate of couples. With my husband’s gracious permission—and assistance—I went all out: a champagne toast; artichokes with lemon-thyme butter for a first course; the loveliest cut of tenderloin, the ripest, richest Bordeaux, the most jubilantly-English flavors of Stilton and Cheshire for the cheese course and a silver compote of succulent dried apricots and dates to follow it round the table.

And the pièce de résistance: an absolutely decadent steamed ginger pudding that had been simmering maddeningly away on the back burner all afternoon in a little antique mold. If I’ve ever been proud of anything in my life, it was that pudding. And it was justified: the moment we opened the door to our guests everyone took a deep, intoxicating sniff and exclaimed, ‘What is that?”  

I smiled: it’s not polite to tell your guests what you’re serving, of course. But, propriety notwithstanding, I knew that I had an ace in my sleeve with that dessert.

The conversation that flowed around our table that night was just the sort my soul is fed upon. We talked of books and art and music, of faith and worship and what they ought to look like. Every eye was alight; elbows could hardly be kept off the table in all the earnestness and joy. It was gorgeous—it was fellowship, in every sense of the word.

At one point I pulled myself away to the kitchen to dish up a second round of creamed peas and to give my pudding a peek. The fragrance was so heady my home seemed full of Christmas. I lifted the lid and wafted it towards me. Then I looked in, and, noticing that there was a little bit of leakage, I grabbed a nearby spoon by its bowl and used the handle to gently raise the mold out of its water bath, intending—incomprehensibly—to nestle the two pieces back together.

What followed was so surreal I’m still rather hazy on it. But somehow, between handling a scalding hot mold and pouring half-cooked batter off the water bath, the two halves separated and my lovely, delectable pudding dissolved into a dismal mess of un-rectifiable glop. I blinked stupidly, and with all the hopelessness of dismay I turned the pot on its side in the sink and stood watching the remains of my pudding slinking down the drain.

When I came to myself it was with a shot of panic. What was I going to do? What was I going to serve my friends for their birthday dessert? How was I going to clean up that mess? I was praying frantically, gazing round my kitchen as if I expected to find a chocolate layer cake I had forgotten about sitting on the counter.

But suddenly, quietly, a firmer hand seized me.

What would Laura Alice do?

Laura Alice. I saw her there, dainty domesticate in her organdy apron and pearls, hostess extraordinaire and a force to be reckoned with in the kitchen. My grandmother, the one everyone has always told me I am so much like and with whom I enjoyed such a glad kinship while she lived. When I think of her now, it’s not as the wasting Alzheimer’s sufferer, or even as the dashingly beautiful young woman I knew from the photographs and aspired to emulate as a girl. I see her most as I saw her that night in my kitchen: in her element with guests around her table and all the best she could offer for their delight. Exhausted, perchance, from a day’s tireless preparation but not showing it by so much as a drooping of an eyelash. We lost a great breed of hostesses when my grandmother’s generation died out, and certainly our dinner tables, if not our culture as a whole, are the poorer for it.

I knew what she would say; I knew exactly what she would do, just as clearly as if it were her kitchen and not mine.

And so I did it: nothing. I let it go. I put the lid on the now-empty pot and I rinsed out the sink. Then I put a smile on my face—not a fake, plastic affair, but a genuine joy at the sight of my friends celebrating Life and Understanding around my table (and not unmixed with a little thankful prayer for that cheese course which might quite civilly be considered dessert). I paused at my chair to make sure that no one needed anything and then I took my seat and resumed the feast of conversation.

Nothing very heroic, to be sure, and perhaps even a little insincere at first glance. But one does not have to look far into the guiding principles that ruled my grandmother Laura Alice’s life—and that of so many like her—to see the torrents of almost heavenly courtesy coursing like an underground river beneath the surface of things. Our enlightened age likes to poke fun at the Golden Rule, as if beneath even the distinction of outright ridicule. But my grandmother knew what it meant to place other people before herself, whether it was a china-and-crystal affair in the dining room or a pimento cheese sandwich and pudding cup with her granddaughter at the kitchen table.

It was the same self-management that made her hold her tongue when she saw a kleptomaniac lift the lid of one of her favorite teapots across the room and drop it into her purse, knowing well how mortified the old darling would be if called to account. It was the same spirit that bade her mother before her lay the table with the best Havilland and a fine lace cloth every Sunday in preparation for whatever friendless stragglers her husband would bring home from church. It was the same high rule that guided my mother to make ours a home in which our friends wanted to congregate growing up, cheerfully doling out sumptuous fare and high-end coffee to oblivious teenagers and as cheerfully submitting to the rearrangement of her living room furniture for our dances and frolics.

I felt its appeal tugging at my sleeve that night as I stood in my kitchen. Alone, and yet not alone, surrounded, as we all are, by that Love that will make a tent for itself in even the most trifling of instances. The whole evening had been for love, down to the little paper ribbons on the bloomy plums at the birthday girls’ places. To have given in to my very natural inclinations, to wail and thereby summon everyone from the table in a very selfish false sense of duress would have ruined it, if even temporarily. It was too great a price to pay for the loss of so much as one of those golden moments.

My grandmother knew that instinctively. Love had taught it to her early on.

I hope I really am like her some day.

This article was originally published August 2010 on the Art House America blog and is reprinted by the gracious permission of the editor.

Written out

February 28th, 2011

Fill your paper with the breathings of your heart. ~William Wordsworth

Made it.

Exhausted but happy. A lovely celebration dinner and the sweet taste of a shared victory.

She finished. I made my stout word-count goal (literally gasping over the finish line with about an hour-and-a-half to spare).

Six weeks of writing frenzy and roughly a third of a first draft under my belt and some characters that I really care about.

(We’ll be doing this again and soon. As we agreed last night, there’s no ‘good time’ to write (or re-write) a novel. Only days and hours and moments intentionally whittled out of full lives. I can only think of about 1000 reasons why this would not have gotten done the past six weeks, much as I’ve dreamed of it, if I didn’t ‘have to’.)

And it would not have happened, even with all the daring of the dare, without the real, tangible, practical love of my husband. I’m all out of words. But thank you, darling.

And thank you to all of you who have been so gracious and kind to remember me in your prayers and to cheer me along. I’m really overwhelmed. God bless you for it.

The only thing standing between you and your dream is a deadline. ~Chris Baty

Notes on pruning from a novice

February 23rd, 2011

"Remain in Me, as I also remain in you. No branch can bear fruit by itself; it must remain in the vine. Neither can you bear fruit unless you remain in Me." ~John 15:4

It was a brilliant but brisk winter day, and I was none too sure I wanted to brave the cold with my clippers and shears. But the calendar would not be denied. For it’s a cardinal rule of gardening here in God’s country that pruning must needs be effected no later and no earlier than Valentine’s Day. I’d as soon lay a rose bed to mulch under the nose of the right reverend George R. Briggs, or sow the least summer seed before Good Friday, as trespass so serious a decree. I won’t even speculate as to what garden calamities might come of such an aberration, as I’ve never been brazen enough to hazard it.

But this year was different. Or, at least, it seemed so, as I stood in my warm den with a mug of hot coffee and contemplated the exchange of my shearling slippers for the cold comfort of the Wellies waiting outside the kitchen door. More dispiriting, still, was the overflowing mess that the brambles had profligated themselves into over the previous growing season. When I had taken myself in hand at last, fortified against the elements in coat and gloves and armed with loppers, I stood before the trellis, thoroughly and uncompromisingly stumped. I was too lazy to go all the way back into the house for the aforementioned George R. Briggs and his unambiguous instructions on Pruning for the Home Orchard. So I did what any level-headed gardener would do: I went after the roses.

Roses are much more straightforward, and I have a longer history with them. Roughly one-third off the climbing varieties and more-than-you’d-think-at-first-go off the others. Nothing too challenging. But as I worked, I noticed a strange frustration growing on me. Or, more accurately, in me. The fact is, the whole idea of pruning was rather a touchy subject at that particular moment in time. I had been reading in John 15 about abiding in our Lord the Vine, and the Father-Vine Dresser Who takes it upon Himself to prune the branches so that they bear fruit that is undying and everlasting. And I had fretted with Him in prayer that very morning about the disparity between that lovely and simple condition and the sense of fractious feverishness that had begun to steal into my own life of late.

Yet again.

Old foes of haste and hurry; the siren wail of the urgent and indispensable; the choking burden of choices and expectations. In short, I was right royally overwhelmed. And beleaguered with the problem of what to do about it.

Oftentimes we see His hand at work in our lives, lopping off things which we have no control over, and even as we flinch under the shears, we trust the love that guides them. But, just as often, He may hand the clippers over to us, asking us in faith as under-gardeners, to have a go at our own lives. To act on the promptings He’s been nudging for some time or to recalculate the cost of a particular endeavor. I really believe that personal assessment and regular, routine ‘fruit inspection’ is an indispensable part of a disciplined spiritual life. It doesn’t speak very well for my discipline, then, when I recognize its necessity only after my garden has gotten rather out of control.

But I recognized it that day as I was working away in my own tangible little vineyard. And I stopped in mid-cut and the clippers swung idle in my hands.

Okay. I said it out loud. Is there anything You want me to see here?

And if I sounded a little miffed, I have to think that God doesn’t mind honesty as much as He does self-reliance clothed in pious speech. I was frustrated. And He knew it.

I finished up with the roses and then I went and contemplated the brambles again. Half of the trellis is set to blackberries and half to raspberries. But it was such a tangle you could hardly see where one ended and the other began. I seriously entertained for a moment the thought of leaving them to themselves, taking a year off. But only for a moment: the memory of last summer’s berries, warm to bursting in the morning sun and so abundant I could feed them to Puck through the fence without reserve, won the day. I took off my coat, as this was serious business, and pushed up the sleeves on my hoodie.

And as I confronted the confusion of shoots and canes, a bit of wisdom came to me. At first I attributed it to the honorable George. But I now know it to have come from a much nobler Source.

Dead things first.

The string of words became a little motto as I looked closer among the canes, sorting out those distinctly brown from among the winter-silvered green. And it was amazing what clarity their removal brought. So many of the tangles resolved themselves as the dead vines were cut and dragged away. I was humming the phrase to myself like a little pep talk as I hunted the next candidate when, suddenly, it hit me.

Of course! Dead things—old encumbrances; old entanglements. Old sins and old habits and old regrets. Old, toxic thoughts about graceless-living. In short, the very things Christ has set me free from and which I, like the Apostle, tend to carry around with me like a dead weight. “I know You’ve dealt with this in the only way possible, Jesus, but let me haul it around a little longer just to prove how sorry I am.” And it’s amazing how cunningly those worthless things accumulate while our back is turned…just when we think we’ve seen the last of them.

“Let the past sleep,” says Oswald Chambers, “but let it sleep on the bosom of Christ.”

Dead things don’t need to be analyzed, critiqued and disputed over. They are obvious and they need to be hauled out from among the living things and tossed on the burn pile.

After such strong and severe simplicity, I returned to my brambles with a considerably lightened heart. I wondered if I’d see anything else worth pondering when my glance fell on a shoot that had sprung up from the trellis with all the energy of summer-past, and rooted itself in the middle of the lawn. And the funny thing is, the more I looked, the more I saw of the same thing: far-flung branches arching off the original site so that they had toppled to earth and put down roots far from the vine and from the rich soil I had prepared for them. What well-intentioned canes they were, fat and sleek and many yet bearing the scarlet banners of last year’s leaves. I almost apologized to them as I tugged them out of the ground and cut them back to a reasonable length.

But they had to go, of course. They would steal all the energy from the fruit—not to mention make a wilderness of my backyard. They are the stuff of scanty harvest and exhausted resources. The things that stretch us beyond our means. That make us feel, as Bilbo so wisely observed, “like butter scraped over too much bread”.

After that, it was the real heart of the matter: the strong, healthy canes, the ones that were growing where they were supposed to and had borne last summer’s berries. And these were the toughest of all. It’s always hard to convince myself that I’m really supposed to cut them back that far. But as I set to with my loppers, three more little thoughts came wafting to mind and settled in my heart:

~Every single shoot needs scrutiny.

~Pruning is always more severe than I think it needs to be at first.

~It gets easier.

Like I said, I’m a novice. But it certainly gave me a passel to tuck away and pray over. I want to learn from the Master Gardener. And I want a whole lot more than a freezer full of berries by this time next year. I’d like to think there was some fruit that remains, unspoilt and unchanging, to the glory of His Name.

Helps and Hurts

February 11th, 2011

"Her 'scribbling suit' consisted of a black woolen pinafore on which she could wipe her pen at will, and a cap of the same material, adorned with a cheerful red bow, into which she bundled her hair when the decks were cleared for action." ~Louisa May Alcott, Little Women

My writing partner suggested we exchange lists of the things that inspire creativity in our scribbling and the things that hinder it. How do we feed the Muse (or, conversely and tragically, starve her)? I thought it was a gorgeous idea and darted off a silly little list off the top of my head. I decided to post it here in case it might be an encouragement (or a source of amusement ;) ) to any of you other artists out there. Which, of course, is every one of you.

Helps:

~MUSIC. The Lord of the Rings soundtrack (I know, I am a dork.). Anything by Andrew Peterson. The Innocence Mission—pick an album blindfolded. The Finches. (old) REM. (new) A-ha. Vashti Bunyan. Kate Rusby. Mozart, particularly the Masses. The Anne soundtrack. Never fails.
~Beautiful and inspiring movies, like Chariots of Fire. (I’ve already said I was a dork.) Laughing till I cry over old Jeeves and Wooster episodes. LotR. A sojourn in Avonlea. “Bonnet dramas”.
~Playing classical music on the piano.
~Long drives with the music turned up LOUD.
~20 minute naps.
~TEA!!! ANY KIND!!!! (But especially, oh most especially, Sweet Lemon Cream Rooibus. And Yorkshire Gold.)
~Journaling. It’s like priming the pump.
~Long thoughts on long walks.
~Philip. Yes, of course.
~Talking to my sister. About anything.
~Talking to my mother and hearing funny stories.
~Daddy’s voice mails that begin, “Hello, is Harper Lee in?” (That makes me feel like I can do anything. Also, Daddy giving me a second-hand book on writing. Just because.)
~AP’s post today on The Rabbit Room. YES.
~Having a fresh encounter with Grace this week that makes me want to shout from the rooftops how great is His love.
~Reading Ray Bradbury on writing and remembering what wild fun it really is. “WORK! RELAX! DON’T THINK!!” Great stuff. (“You might give my method a try,” he cajoles. “If you do, I think you might easily find a new definition for Work. And the word is LOVE.”)
~Peacocks. They would wring poetry from the heart of a pile of bricks.
~Sunshine.
~Reading C.S.Lewis
~Circling for fodder. Like a kind-of amiable vulture.
~Letting my people say whatever they want.
~T.S. Eliot and Gerard Manley Hopkins.
~HER.
~Small bars of delectable, organic, bittersweet chocolate. My version of Jo March’s writing cap.
~Space heaters.
~The Flannery quotes my friend Jonathan Rogers keeps posting. Like this one: “Wouldn’t it be better to discover a meaning in what you write than to impose one?”

Hurts:

~Forgetting about the miracle of Grace that permeates every particle of my being. Even the creative ones. Trying hard to “be good”.
~Email. I once heard someone describe themselves as “the Amish of email”. Yep. That’s me.
~Hurry.
~30 minute naps.
~Too much caffeine.
~Untrammeled negative thoughts about how terrible my book is.
~Unwritten thank you notes and unreturned phone calls and unanswered emails.
~Cat hair. I’m serious.
~Being too cold and cranky and stodgy to get out and take a walk. Also being too busy.
~Thinking about Evelyn Waugh’s mastery with spiritual hints and symbols. Magic to read; disaster to compare to.
~Reading C.S. Lewis. ;)
~Forgetting to eat.
~Not ‘getting out of the way’ of the story. Trying to harass it into existence.
~Censoring my people.
~Not going to bed on time.
~Dishes in the sink.

I absolutely LOVE what Bradbury says about ‘ideas’:

“…I thought you could beat, pummel, and thrash and idea into existence. Under such treatment, of course, any decent idea folds up its paws, turns on its back, fixes its eyes on eternity, and dies.”

So, what are your tricks of the trade? Do you write in fingerless gloves or compose symphonies in the middle of a church service or draw inspiration for your decor from the paintings of the Pre-Raphaelites? Do tell. I’d love to hear what moves you.

And now I’m off to brew a pot of rooibus tea and get to Work.

I mean Love.

Little Gidding

February 2nd, 2011

"If you came this way in may time, you would find the hedges white again, in May, with voluptuary sweetness." ~T.S. Eliot

It’s gone all misty-cold here again in our part of the world, but this past weekend we were blessed with one of the customary miracles of a Southern winter: three days of sunshine and warmth that whispered secrets of April to our hearts. Neighbors came out of hiding in shorts and tee-shirts and songbirds split the air for joy. Puck and the sheep ruminated drowsily in a sunlit pasture and I napped on the windowseat in a wash of western light that felt like the luxury of high summer. I hadn’t realized how much I had missed the sun till it came out in a glory, sparking an answering lifting and lightness in my soul. What a boon and promise, bookended though it was with chill and drizzle and grey. Winter is back, now, as it should be in its season, but our hearts are strengthened to believe in spring.

Days like that always make me think of T.S. Eliot’s Little Gidding and the opening comment on ‘mid-winter spring’. And that, inevitably, minds me of Little Gidding, itself, and the grace-laden afternoon in May we once spent there. I looked it up in my journal just to live it again. Here’s a little extract:

Our destination was Little Gidding, ‘way over in Cambridgeshire. We went on merrily enough, despite the rain that was beginning to sprinkle the windscreen and the prospect of navigating Stratford, Warwick and Coventry. Just outside of Stratford we bought some freshly-picked strawberries at a roadside stand.

“No need to wash them,” the woman at the till cheerfully informed me, “I picked them myself just this morning and we never use any spray.”

I am hereby entirely spoiled for life in that quarter: surely we have nothing so luscious in the States as a freshly-picked English strawberry.

We found Little Gidding itself without too much trouble, regardless of the fact that it’s quite literally in the middle of nowhere: ‘behind the pig-sty’, indeed! And though we didn’t approach the ‘dull façade’ from the front but from the rear, it was exactly as I expected it to be, set peacefully and placidly amid the gentle undulations of the Cambridgeshire countryside with frothy white hawthorn edging the pasture before it and the ancient graves in the green churchyard leaning crazily against one another like old men having a confidential chat. I was sorry that it was raining, but it was such a soft, friendly little shower I really couldn’t begrudge it—just one of those very English saturations, really.

We stepped into the tiny building in a reverent silence and looked about us in a dimness unspoilt by electricity. There was seating for about thirty in the two short stalls lining each side and at the far end the light came clear and pure from tall, unadorned windows. The stone floor was uneven, and there were faded Scriptural mottoes painted in friezes about the room, mostly in Latin. Someone had stitched four banners with the words of Eliot, Ferrar and Herbert, and in the simple, white plaster nave beneath the arching windows were brazen plaques bearing the Lord’s Prayer, the Ten Commandments and the Apostles Creed, all in Old English.

I knelt at the rail, savoring the exquisite peace of the place ‘where prayer has been valid’ for so many centuries, thanking God for that blessed communion of saints and clouds of witness that enfold every believer at every moment but which are so tremendously touchable and present in a place and at a time such as this. Then I sat silently beside Philip in one of the stalls, looking about and printing it all upon my memory—most especially the indefinable yet pervasive sense of purity and simplicity that yet seems to cling like a fragrance to this ancient Christian fellowship. Almost like a 17th century L’Abri, as I remarked to Philip later. After we’d been in the church for a while, we noticed that the rain had stopped and the birds outside were singing more jubilantly than ever. I stepped to the door and breathed deeply of the hawthorn-scented air which was distilled with such a gentle radiance, all freshness and the sweetness of England. We realized we’d hardly spoken a word while we were in the church…

"But this is the nearest, in place and time, Now and in England." ~T.S. Eliot

Midwinter spring is its own season
Sempiternal though sodden towards sundown,
Suspended in time, between pole and tropic.
When the short day is brightest, with frost and fire,
The brief sun flames the ice, on pond and ditches,
In windless cold that is the heart’s heat,
Reflecting in a watery mirror
A glare that is blindness in the early afternoon.
And glow more intense than blaze of branch, or brazier,
Stirs the dumb spirit: no wind, but pentecostal fire
In the dark time of the year. Between melting and freezing
The soul’s sap quivers. There is no earth smell
Or smell of living thing. This is the spring time
But not in time’s covenant. Now the hedgerow
Is blanched for an hour with transitory blossom
Of snow, a bloom more sudden
Than that of summer, neither budding nor fading,
Not in the scheme of generation.
Where is the summer, the unimaginable
Zero summer?

from Little Gidding, by T.S. Eliot

"We shall not cease from exploration and the end of all our exploring will be to arrive where we started and know the place for the first time." ~T.S. Eliot

Coming up for air…

January 28th, 2011

For us, there is only the trying. The rest is not our business. ~T.S. Eliot

…before diving back into words with a wild abandon.

The Challenge is going well. Every day I sit down at my desk and write, pounding out words to meet the day’s quota. Critique, revision, ripping apart and putting back together again will come later (and probably within the bounds of its own ‘challenge’–is it possible to re-write an entire book in six weeks??) but for now it’s all about the joy of flying fingers. It’s a glad thing, and for some crazy reason I know it’s my obedience right now. That’s all I do know. Not where it will end; not where it will go (if anywhere). None of that matters.

The only thing that matters is, as T.S. Eliot would say, the trying. The pushing through all the resistance of fear and the stopping of the ears to the naysayers in my own head and the creating for the love of the Creator.

That and the gorgeous, gracious thought that so many of you are praying for me. I really and truly cherish the words you have sent my way and your prayers are deeply appreciated. Thank you. It means the world to me.

(And to my little book.)

And before I go under again, I wanted to share this much-loved poem. It perfectly captures for me the angst and the glory of writing (or any creative act) and I often go back and read it again when I’m mired in my own ‘verbal imprecision’. And it always makes me cry:

The Writer

Under the Omnipotence

January 18th, 2011

I’ve made no secret of my heartfelt writerly crush on The Rabbit Room, and it is always an honor and a joy to get to chime in on the Great Conversation that’s going on over there. Most recently I’ve aired some opinions on one of the Inklings, Charles Williams, the man C.S. Lewis called his ‘dearest friend’.

He was the one running back and forth from the bar, keeping everyone supplied with ale and good cheer during the weekly meetings at the Eagle and Child (or “Bird and Baby”, to the seasoned Oxonian). He scarcely uttered a word, playful or serious, into which he did not thrust the intense vitality of his entire personality, for better or for worse. Largely self-taught, he couldn’t even boast of a degree (excepting the honorary MA Oxford eventually conferred upon him near the end of his life), though he sat at ease among some of the greatest minds of the twentieth century. In terms of elegance and concision he was a terrible novelist and a largely unremembered poet.

C.S. Lewis esteemed him among the chiefest of his friends and lauded the deep spirituality of both his writings and his life. The wary Tolkien wasn’t so sure.

If you’re interested enough to find out what I thought, you can read the rest here:

The Inscrutable Inkling

Resolved

January 14th, 2011

"I write only when I am inspired. Fortunately I am inspired at nine o'clock every morning. ~William Faulkner

It’s not a New Year’s resolution. Not really, seeing as we made it last summer.

More of a debt of honor, an appointment with our laptops. A date (seemingly so far away in the all the bustle and huff of kids out of school and family vacations and launching businesses and whatnot) towards which we hitched all our hopes for these stories that were burgeoning out of us. There was no space for them to grow, back then in the glare and haze of high summer. Winter seemed more of a friend to these contemplative and retiring muses of ours. Mine, at least, is very easily frightened and gathers her skirts at the first hint of overload.

January 15th. Far enough from Christmas and deep enough in winter’s blessed repose. Looked towards for so long that it’s already something of a sacred space wherein (we pray!) creativity will thrive unchallenged. For six mad weeks we’ve agreed to write like our lives depended on it. Actually, what’s really hanging in the balance is a dinner date with our husbands at one of the classiest places in town. That and our self-esteem.

And our stories, of course.

And so from tomorrow until the end of February, my writing partner and I will be living the writers’ life of our dreams. We’ll stay up too late and drink too much coffee and shoot one another dismal emails when words won’t cooperate. I wouldn’t be able to do it without this kind of wild, harebrained, perilous challenge. And I wouldn’t be able to do it alone.

It’s not the first time we’ve taken on something this crazy. But it’s the first time I’ve been able to admit to anyone other than my mother that I’m actually doing it. The truth is, I am very much a scared rabbit when it comes to writing in general and fiction in particular. It’s so intrinsically me that I hardly ever hit ‘publish’ without a thrill of fear. And fiction, that shy half-sister to ordinary prose, is more vulnerable still because it’s even more personal.

“Put the energy of your nerves into your performance,” my ballet teacher always used to say to us in the wings, when the footlights were already in our eyes and the faces of the audience beyond were murky and unreadable.

Tomorrow morning I am going to show up at my desk and do just that, in the grace of God. I really am quite thoroughly terrified–what if nothing happens? What if the muse has grown tired of waiting and doesn’t keep this appointment? What if I fail, miserably?

But if there is one thing that I have come to, that I am resolved upon, it is this: I would rather be a failure in the eyes of the world living the life I know God has called me to live, making the art He has called me to make, than to be too afraid to try. I believe that He can be just as glorified in inkblots as in soaring prose, provided they are penned in His name. And I believe that He likes nothing better than to call us to something only He can equip us for.

I have no idea what will happen. I don’t know if these dear characters in my head will ever be folk that the rest of the world would like to meet. But that really is none of my concern. Mine is to sit down at that desk and start typing.

With a prayer of Jesus, help, upon my lips.

Pray for me, kind friends? I would value it more than words can express.

A new song in my mouth

January 7th, 2011

Twelfth Night 2011

Twelfth Night has come and gone with a last bright flourish, and today I’ve had my own little personal bonfires of Christmas greens in each of the fireplaces. Down came the garlands of pine and the scarlet jewels of holly, the ivy wreaths and the festal red ribbons. Beloved ornaments have been swaddled in tissue and creche figures carefully wrapped and the little kneeling angel that reminds me throughout the blessed bustle what it’s all about has been stowed in her box for another year. And as I’ve worked I’ve been gently haunted by a song, new to me this Christmas season and yet centuries old, which has sung its sweet balm over the tender finality of this dismantling day and stirred my heart with a freshened hope for the New Year. It was really no surprise to find that it was written by the Cavalier poet Robert Herrick, one of my very favorites. I’d like to share it with you here, in the hopes that it will strengthen and thrill your hearts with the good that is always coming–just as it has mine.

Down with the rosemary and bays,
Down with the mistletoe;
Instead of holly, now upraise
The greener box for show.

The holly hitherto did sway;
Let box now domineer
Until the dancing Easter day
Or Easter’s eve appear.

Then youthful box, which now hath grace
Your houses to renew,
Grown old, surrender must his place
Unto the crisped yew.

When yew is out, then birch comes in,
And many flowers beside,
Both of a fresh and fragrant kin,
To honor Whitsuntide.

Green rushes then, and sweetest bents,
With cooler oaken boughs,
Come in for comely ornaments,
To readorn the house.


Thus times do shift, each thing his turn does hold;
New things succeed as former things grow old.

Robert Herrick, Ceremonies for Candlemas Eve

It’s become something of an anthem for me this year, and a charge to savor the beauty of the season I’m in, without impatience for the next or undue sadness over that which has passed. I’m even flirting with the idea of taking the poem literally to heart and decorating my house in accordance with the seasons of the liturgical calendar, though Candlemas Eve is a bit of a stretch for the Christmas greens. And I’ll have to come up with an appropriate substitute for yew. ;)

But at least my boxwood wreaths are staying up for a while–they dry so beautifully.

"Thus times do shift, thus times do shift, each thing its time doth hold; new things succeed, new things succeed, as former things grow old."

Best blessings, kind readers, on this adventure of a new year. ‘Lift up your heads with joyful hope’, for the God who delights in doing us good is doing a new thing…

Remember not the former things,
nor consider the things of old.
Behold, I am doing a new thing;
now it springs forth, do you not perceive it?
I will make a way in the wilderness
and rivers in the desert.

Isaiah 43: 18, 19

Five Golden Rings

December 29th, 2010

the praises of our King

tables crowded with love

a cat that never forgets she was a Christmas kitten

the untarnished magic of gingerbread and powdered sugar

a White Christmas in Dixie (!!!)

It’s been a lovely one, and we’re still keeping it, fondly and heartily. I just wanted to pop in here to wish all of you a very Merry 5th Day of Christmas!

Note: Lanier’s Books will be closed for Christmas holidays from December 21st, 2010 through January 6th, 2011. Any orders received during this time will be processed after the holidays. Thank you! :)