Abloom and Afresh

April 8th, 2010

Welcome, maids of honor, You doe bring in the spring, And wait upon her. ~Robert Herrick, 'To Violets'

There is something in the air today that feels like England. I caught its fragrance this morning the moment I opened the windows. A greenness that you could smell, inhale, be nourished by. A great leaping joy in growing things and in the songs of the birds. And when I took my little constitutional after breakfast, I could almost imagine that I was there–if I stopped and closed my eyes my sweet white-throated sparrow might just be an English robin and the grass beneath my feet the satiny verdure of a hill pasture in Cornwall. Even the aroma of the barn as I passed it, the ‘rich, ovine scent’, to paraphrase Mr. Herriot, was full of happy associations. The sky was overcast with a pale curtain of light-filled clouds, a strange sort of relief from the almost unbearably lovely April days of blossom and sunshine we’ve been enjoying, and I was glad to need the little sweater that I had grabbed on my way out the door.

Then it began to rain, the sweetest, silvery-est shower, and it felt more like England than ever. The moisture seemed to coax the heart out of every mingled fragrance abroad–cut grass and violet banks and crabapple blossoms and green leaves–decanting it all as it were into an intoxicating libation of Spring. I passed the goats and sheep on the way back to the house, running as joyfully towards their shelter as I was for my own, and I laughed out loud.

There’s not one spot on all the face of this earth that I would rather inhabit at this moment than the one that I am on.

I’ve traded the coquetry of May and the poignancy of September for the charms of the Blessed Plot and hardly glanced back over my shoulder. I’ve left my roses blooming to wander in a daze through the gardens of the Cotswolds and I’ve gladly exchanged summer’s last giddy fling to feel the breath of autumn on my face in Oxford.

But I just don’t think that I could trade the magic of April for any other splendors that this world affords. Even the world that is England and is as dear to me as native turf. Browning taunts me, as he does each year, with his plaint, Oh, to be in England, now that April’s there! But I feel sure that if I missed all this sweetness and light, these heaven-fresh mornings and sun-shot twilights and this greening of the bit of earth that is my own, I’d be just as homesick for it as Browning himself was for his ‘blossomed pear tree’ and ‘wise thrush’ .

...and scatters on the clover blossoms and dewdrops..." Robert Browining, 'Home Thoughts from Abroad'

There is a sweet alchemy at work in my world. Trees watched anxiously have burst into flower and leaf while we glanced away. Old friends have shown their first blossomed faces in my flower garden and grape vines that looked devoid of life a week ago are covered with tiny flags of foliage. We’ve been hard at work every Saturday–in the wind and the sun, with farmers’ tans to prove it–clearing away the debris of a long winter and preparing for the glad season to come. The beehives have been painted afresh. The barn foundation has been jacked up and replaced. The beds have been cleared in my vegetable garden and are waiting to welcome the seeds of summer towards the middle of next week.

And there’s been a mirrored image of it all in own heart, it seems. A renewing of the mind. A needful pruning. A tending and nourishing of faith. It is no exaggeration to say that this was the most meaningful and probing Lenten season that I have ever known–and how the sadness of winter’s last hold seemed to underscore it all!

But the beauty of April has heralded the beauty of the Resurrection in a way that I will never forget. Easter morning seemed lent  from Heaven itself, so fresh and lovely and full of joy. The church service was a glorious pageantry of trumpets and incense and a Cross so wreathed in flowers as it made my eyes well to look at it. The lingering resonance of an angelic descant and the great, glad, joyous pealing of bells as we stepped out into the sunshine.

And there we were met with the music of the birds, just as joyful; the garlanding of flowers upon the dogwood trees; the sweet incense of Life in God’s awakened world.

Thanks be to God for His unspeakable Gift.

Wisdom from a beloved author

April 2nd, 2010

I didn’t realize how desperately I was waiting to hear someone say this until I read it in print:

Bess Streeter Aldrich, 1881-1954

Why quarrel with a writer over realism and idealism?  After all an author is a glass through which a picture of life is projected.  The picture falls upon the pages of the writer’s manuscript according to the mental and emotional contours of that writer.  It is useless to try to change those patterns.  If one writer does not see life in terms of grime and dirt, adulteries and debaucheries, it does not follow that those sordid things do not exist.  If another does not see life in terms of faith and love, sympathy and good deeds, it does not follow that those characteristics do not exist.  I grow weary of hearing the sordid spoken of as real life, the wholesome as Pollyanna stuff.  I contend that a writer may portray some of the decent things of life around him and reserve the privilege to call that real life too.  And if this be literary treason; make the most of it.

from Why I Live in a Small Town by Bess Streeter Aldrich
(reprinted from the Ladies’ Home Journal, 1933)

The beauty is every bit as real as the sordid.

And, what’s more, the beauty is True. It’s why I even dare to take up my own pen.

Thank you, dear Bess, for affirming me to the depths of my writer’s heart. And thank you, dear Sallie, for pointing me in the right direction.

The Immortal Alice

March 29th, 2010

"Who in the world am I? Ah, that's the great puzzle!"

Quaint child, old-fashioned Alice, lend your dream:
I would be done with modern story-spinners,
Follow with you the laughter and the gleam:
Weary am I, this night, with saints and sinners.
We have been friends since Lewis and old Tenniel
Housed you immortally in red and gold.
Come! Your naïveté is a spring perennial:
Let me be young again before I am old.

Vincent Starrett, from Brillig

I’ve known Alice all my life. Before I was old enough to read for myself, I remember having bits of Through the Looking Glass read aloud to me, and John Tenniel’s illustrations are a part of my childhood. I’ve had ‘twas-brillig-and-the-slithy-toves-did-gyre-and-gimble-in-the-wabe stuck in my head times out of mind. I’ve even acted in a play version of the story, in an illustrious theatre in a friend’s backyard, constructed entirely of donated wood and directed by a twelve year-old ‘little brother’. (I was 23 at the time, and acted the part of the Tiger Lily, should anyone care to know. ;) )

I love Alice like I would a childhood friend and I’m not ashamed to say that I’ve revisited Wonderland as an adult. With her pluck and propriety and her disarming questions she set the world of childrens’ literature on it’s ear, and it has never been the same since. “Who am I?” she dares to ask more than once. And in the same breath, it seems, she turns those thoughtful eyes of hers, still glinting with the wonders they have beheld, upon the young readers and the adults that are paying attention, with logical uncertainty: Very well, then, who are you?

'Oh, you can't help that,' said the Cat: 'we're all mad here. I'm mad. You're mad.'

Is it a dream, or it is real? And what’s more actual—the real or the dream?

Far from being merely a covert foray into psychoanalysis, as many modern critics would have us believe, or, even worse, a string of sheer nonsense, Alice in Wonderland is a brilliant and thoroughly entertaining gambol in the world of the imagination. Every stroke of Carroll’s pen hits it mark with mathematical precision—from life-sized chess matches to grinning cats uttering profundities to absurd games of croquet employing flamingoes as mallets and hedgehogs as balls—and he manages thereby to make a case for the latent streak of moonstruck madness present in us all.

Just what would happen if Alice took that madness back to the real world with her? we can’t help but ask. Just how Alice would she be then?

That’s one of the questions that the new Alice in Wonderland (2010) film poses. We saw it this weekend in the theatre and I really had no idea what to expect. Apart from an engaging review on The Rabbit Room, and the glowing praise of a very dear friend, I pretty much went in cold.

‘It's the stupidest tea-party I ever was at in all my life!'

But I came out glowing. I thought it was a wonderful movie, most especially because it made no pretense of sticking to the book. It was more of a ‘what if’ or ‘what’s next’ than a faithful adaptation of Alice, which always seems to turn out rather ludicrous. (Or more ludicrous ;) ) But the film kept to the essence of the book while engaging me with a plot (which the book manages to do quite delightfully without). It’s a return to Wonderland—or, Underland, suggestively called, a once-beautiful dream-world that has been ravaged and impoverished by the Red Queen’s reign of terror. Alice is almost grown now, “almost Alice”, as it’s poignantly pointed out, and the situations that she faces both above ground and below it force her to choose between comfortable, conventional adulthood and the real maturity that is always childlike.

“I always believe six impossible things before breakfast,” Alice’s father states early in the film.

I couldn’t help but think of the One Impossible Thing that I believe and which makes every other thing in the world plausible.

'Yes, that's it,' said the Hatter with a sigh: 'it's always tea-time, and we've no time to wash the things between whiles.'

Alice in Wonderland is a dark film, there’s no denying it. It’s quirky and crazy and oftentimes baffling. Johnny Depp’s Mad Hatter is over the top—I was completely mesmerized. And Helena Bonham Carter is brilliant as the insecure Red Queen, really more pitiable than terrifying. The Jabberwocky, now—John Tenniel’s illustration leapt to horrible life before my eyes. I was literally a bit dizzy over that sequence. But to make up for it there’s a glimpse of the original Mad Hatter’s tea party that was nothing short of beautiful.

Another thing going for this film is that Alice’s madness has a foil in the form of aunt that is really, truly mad, and I think that was a good stroke. It’s delicate, but all the more effective. We’re not talking about howling at the moon around here. Just being mad enough to be…yourself.

I came home from the movie and pulled out my beloved Annotated Alice, reading over Jabberwocky again and delighting in the many allusions to the original that the movie had been carefully laced with. It really was a fun romp, and good to see Wonderland again, even in its war-torn condition.

But it was even better to see Alice. And to know that she hadn’t forgotten how to dream. Or just how real dreams might be.

The chief difficulty Alice found at first was in managing her flamingo

(By the way, if you and Alice have never been properly introduced, allow me to suggest Martin Gardner’s definitive tome, The Annotated Alice. It’s a scholarly but wholly approachable explanation of the staggering symbolism, the embedded jokes and the scads of contemporary allusions that Victorian audiences would have easily recognized. I enjoyed reading the original text side by side with Gardner’s fascinating footnotes. Case in point: did you know that Lewis Carroll (Charles Dodgson) was a close friend with the great George MacDonald and his family? Or that we have MacDonald’s young son, Greville, to thank in part for Alice’s eventual publication? Apparently Carroll sent his manuscript to Mrs. MacDonald, asking her to try it out on her children. The six year-old Greville was said to declare that “there ought to be sixty-thousand copies of it”. ;) )

So, have any of you seen the movie? Love it? Hate it? Adore the book?

Or perhaps a better question might be Carroll’s own:

Was it a dream? What do you think?

all captions from Alice’s Adventures in Wonderland, by Lewis Carroll
illustrations by John Tenniel

Here’s another great Rabbit Room link to an article by Travis Prinzi: Alice and the Imagination

Daniel Deronda

March 22nd, 2010

Daniel Deronda, by George Eliot, 1876

Let thy chief terror be of thine own soul:
There, ‘mid the throng of hurrying desires
That trample on the dead to seize their spoil,
Lurks vengeance, footless, irresistible
As exhalations laden with slow death,
And o’er the fairest troop of captured joys
Breathes pallid pestilence.

Reading George Eliot is never a comfortable occupation. An honor and a joy, yes. A tremendous privilege to witness the outworking of a fellow creature’s genius–absolutely. But however awed I might be at Eliot’s probing profundities into the intricacies of human nature, there’s no reading her with impunity. No matter how spoiled and selfish and egotistical a character might be–no matter how exasperated I might feel at the predicaments their choices land them in–the very moment of passing judgment is at once a moment of recognition. A pang of self-discovery.

A terrifying glimpse into what possibilities for good and evil lie couched in every human soul.

She painstakingly uncovers one motive after another; she plays no favorites with her characters, the men and women of her creation. Goodness is held under as exacting a scrutiny as vice. But if there is one thing Eliot’s idealism cannot bear it’s selfishness. The sense that the universe is uniquely crafted to suit our own individual needs. Spoken in bare words, I recoil at such a notion. But illustrated in a prose so living it hurts, I tremble and wince beneath the awful weight of it.

To live for self or to live for others? This is the question that all of Eliot’s fiction seems to beg. And beyond that, even, is posed the ideal of living for the Highest: the ‘Invisible Power’ that governs all things and is the lodestar of all human purpose. Though Eliot’s admission of ‘the Highest’ falls short of what, as a Christian, I know to be encompassed in the Person of God in Christ, there is much–perhaps more–to be gleaned from her expression of what submission to the Highest really means. Both for us as well as for other people.

It shall be better with me because I have known you.

George Eliot, 1819-1880

This statement is, in many ways, the very essence of George Eliot’s masterpiece, Daniel Deronda. Set within a fascinating web of social intrigue, unknown identity and rising Zionism, at its heart it is a story of how one soul may influence another for good, and how both may be drawn in submission to the Highest. Gwendolen Harleth is a spoiled beauty bent on having her own way at any cost. But a fated meeting with the young gentleman Daniel Deronda, a triviality of glance and action, has the chance of altering her destiny. Through a frustrating maze of circumstances that follow, a disastrous marriage on Gwendolen’s part and a dawning awakening of spiritual roots on Deronda’s, we see their lives intersect with an ever-increasing tension. When the strings of Gwendolen’s soul are tightened to an intolerable degree, will Deronda be able to save her from her worst enemy–herself?

I was literally consumed with this book. Gwendolen was so real to me, her suffering so affecting, that she haunted me like an actual presence. I chafed at the exposure of her selfishness; I deplored some of her choices. But I grieved for her almost as I would do for another human being. She wanted to be better–and I wanted it for her. And this is the effect of Eliot’s mastery: her characters live because they are neither all good nor all bad. They are often struggling pilgrims just like ourselves. And I think that it’s partly for our own sake that we want them to succeed.

Deronda is not perfect either, though he is a hero in every sense of the word. He is a man of high ideals and exquisite sympathies. But every now and then an irksome strain of prejudice trickles out. And while he maintains an almost symbolic role of deliverer in other lives than just Gwendolen’s, he often feels put upon, and balks–understandably–under the weight of other peoples’ souls. He’s a fascinating character. But I am left with the surprisingly uplifting idea that he’s not all that he could be. Not yet.

The towering strength of George Eliot’s fiction is that she leaves us with an undying idea of what might be in the lives of her characters long after the cover has closed on this portion of their journey. Will they succeed? Will they blossom and flourish in the ideals they have espoused? I think that even the headings of the various sections of the novel give great insight: the final one is titled Fruit and Seed.

Will the fruit set? Will the seed bear? It remains to be seen. But I can say without equivocation that yet another seed has been planted in my mind by George Eliot’s mighty pen.

It is better with me because I have known her. I hail her genius with a heart that quakes before it.

A Note on Simplicity

March 16th, 2010

One of the most poignant observations that the precocious Laura Timmins makes in Lark Rise to Candleford comes near the end of the third book, Candleford Green. Uniquely poised in history as a young girl watching an old order give way to the new, she comments on the differences between the housewives of her mother’s generation and those of that immediately following. Endowed with so many of the choices and conveniences provided by the Industrial Revolution, these younger women had come to expect a standard of living much higher than that within which Laura had grown up. They had finer, newer homes, wood floors and store-bought furniture and curios.

But, as Laura so candidly wonders, where they really happier than the women in their tiny cottages with polished stone hearths and a bit of a garden out back?

Everything was beautifully kept, furniture and floors were highly polished, windows gleamed, curtains and counterpanes were immaculate, and the little kitchen at the back of the house was a model of neatness. Laura found out afterwards that Mrs. Green worked herself nearly to death. With only one child and a house only a little larger than theirs, she worked twice the number of hours and spent ten times the energy of the cottage women. They, standing at their doors with their arms folded, enjoying a gossip with a neighbor, would often complain that a woman’s work was never done; but the Mrs. Greens were working away while they gossiped and, afterwards, when they were indoors having a ‘set down with a cup o’ tay’, the Mrs. Greens, wearing gloves, were polishing the silver. For of course forks and spoons and any other objects possessed by a Green housewife were known collectively as ‘the silver’, even if there was not one single hallmark to be seen upon any of them.

Flora Thompson, Lark Rise to Candleford, p. 552,53

It’s worth considering. The more choices, it seems, the more room there is for comparison with others and expectations of ourselves.

And it certainly makes me want to pause over that one more purchase of a thing to be cared for. I think I’d much rather spend the money on some lovely tea and invest the time in a long chat with a friend. :)

Afternoon Tea

On Golden Sands by a Silver Sea…

March 8th, 2010

Fried green tomatoes and Oysters Rockefeller. Shrimp and grits for supper and beignets for breakfast. Jazz, Southern-style, and a full moon over Moon River.

Old Dream-Maker

A blessed sojourn on an Island that love has made our own and  which never fails to restore our souls. Cat naps in patches of sunlight like golden wine to our winter-weary hearts. Daydreaming and castle-building and dancing to a live combo at night.

The Verandah

Live oaks and Spanish moss. The salt tang of the marsh and a breeze that makes you know you’re alive. Picnics, indoors and out. Local seafood and early morning ambles and Earl Grey at four.

'Glooms of the live oaks, beautiful-braided and woven...'

The marshes themselves: limitless, humbling. The great sweep of Aliveness. The keen and exquisite Sameness that rushes forth in greeting like an old friend.

'Ye marshes, how candid and simple and nothing-withholding and free! Ye publish yourselves to the sky and offer yourselves to the sea!'

Dolphins almost near enough to touch. White herons stark against golden grass.

Longing for summer and sapphire water and diamond spray.

...There is nothing--absolute nothing--half so much worth doing as simply messing about in boats...

Lovely to escape and lovely to come home again. And I’m already asking the age-old question, as much of a piece with our holiday as the tea and the sunlight and the bobbing boats and the curtains of moss and the inevitable tears at departure:

“When can we return?”

La mer a bercé mon coeur pour la vie

He calls them by name

March 1st, 2010

Titania

The one thing that people invariably ask me when they see my sheep for the first time is, “Can you really tell them apart?”

I never cease to be amazed and tickled by this. It’s like asking the mother of a blonde-haired brood if she really knows who’s who. I want to laugh out loud and exclaim, “Well, for starters, the boys have horns!” (The girls do, too, incidentally, but they are such dainty little adornments that you really don’t notice them at first.) And how on earth could anyone with eyes mistake that exquisitely placid expression of Beatrice’s for the pert little inquisitive one of Hermia? Isn’t it quite as plain to everyone else that Benedick looks just like Kenneth Branagh and that Harry is dignity itself and that Sebastian has an almost dog-like friendliness about him? Titania with her fastidious little nose the color and sheen of wheat-colored velvet and that adorable widow’s peak of wool that grows down over her forehead? And what about Ophelia—honestly, if you didn’t know better you’d think she made up those gorgeous eyes of hers daily with mascara and eyeliner.

But I have an advantage over the casual acquaintance of my flock: the keen and unmistaking eye of Love. I love my sheep. I love them to the point of utter distraction. The slightest bleat sends me dashing to the back porch just to make sure everyone is alright and happy. I know where each of them likes to be scratched and who likes apples better than pears and which one is most liable to pick a fight when they’re hungry. And who they’re going to pick a fight with. And when I call them of an evening, and they lift their heads from the bit of earth they’ve been grazing, recognizing my voice and my form and then come at a run, I seriously wonder if there’s any finer compliment in life.

I love my sheep so much that people laugh at my supposed neurosis in measuring and mixing grain and my insistence on ‘horse quality’ hay. When a cold ran through them at the change in the weather last fall, I was the Florence Nightingale of the barnyard, administering tinctures and vitamins and herbs to anyone who so much as sniffed. I’ll go over the pasture with a fine-toothed comb checking for wild cherry (a real no-no) and hand clip treats of cedar and pine for them from the family farm to bring back as a surprise.

My little flock is a lovely, living, daily parable. Predictably, all of the verses in the Bible that have even the slightest reference to sheep have come more alive to me in the last year than ever before. I’ve become fascinated with the differences between the Eastern shepherds, which are the pattern of our Bible stories and allegories, and the more contemporary Western approach. Jesus wasn’t just embellishing his narrative of the Good Shepherd and His sheep in John 10 with a few pretty, humanizing details. When He says that the He calls His sheep by name, His audience knew exactly what He was talking about. According to Phillip Keller in A Shepherd Looks at the Good Shepherd and His Sheep, the modern, industrialized mind cannot conceive of the bond that these shepherds have with the individual members of their flock:

A…remarkable aspect of the care of animals in these countries is that each one is known by name. These names are not simple common names such as we might choose. Rather, they are complex and unique because they have some bearing upon the history of the individual beast.

Hermia, Titania, Sebastian and Harry

I’ve had the unique opportunity this past year of looking at things from the shepherd’s perspective. I have experienced first hand the joy that comes of a sheep learning its name, learning to trust me, learning to look me in eye without a shade of fear in those gorgeous limpid depths of theirs. I have an inkling of how Jesus feels when His sheep run to Him not only for protection, but for the sheer pleasure of His presence. And I will never, never forget the first time that my sheep actually followed me.

It was several weeks after we had brought them home, and I was just beginning to smile rather sadly upon my preconceived notions of ‘pet lambs’ as a naïve delusion. After hand-feeding them grain and spending hours in the stall with them, talking quietly to accustom them to the sound of my voice and consciously avoiding the perceived threat of direct eye contact, they still seemed rather indifferent and afraid. One evening, however, just about the time the sun met the tops of the pines fringing our west pasture and the light became diffused with a dusting of gold you could almost touch, I went out to call them in for the night. I rattled the grain scoop. I called them again. I could see them all, grazing beneath the pecan tree, a portrait of ovine contentment. Suddenly one of them raised their head—Hermia, I’m sure it was—and looked right at me. A bleat and an answering “Blah!” And suddenly, with a tender thundering of little hooves they were coming at a run. I turned towards the barn and they fell in behind, scampering and capering and clicking their heels and bobbing their heads, as lively as my goatlings could ever be. And I walked on, cooing and soothing with the voice they had at last learned to trust, feeling about ten feet tall.

“Lord, is this something of what it must be like for You?” my spirit whispered.

But I knew without saying that it was. This wonderful, beautiful acknowledgment of Love; this sprightly little parable Peace, It went straight to my heart, stamping an image, a moment, that will be with me forever.

My name is not only known to Him—it is precious to Him. He is not only acquainted with but passionately interested in the details that make up my life. Nothing is too unpleasant a task for His ministering hand. He cares for me every bit as tenderly as I do my flock of seven—every bit and a universe’s worth of more. And when I follow Him, my joy is second only to His.

He does not drive us from behind, goading us on as the Western shepherds do, with dogs and commands. He leads. He calls us by name with a voice that is our soul’s sweetest music. And in the voluntary compulsion of Love, we follow Him. And what follows us? Goodness and mercy, all sufficient and all encompassing, all the days of our lives. Green pastures and quiet waters and an unfailing Presence in the valley of the shadow. We shall not know the meaning of want.

My sheep had to choose to trust me. They have to remember who I am when they see me coming with that odious dosing syringe, dripping wormwood. Through all the ordeal of hoof trimming and shearing. Through the winter barrenness when I portion out the right amount of hay—neither too little or too much—for their sustenance. And in the coming plenty of spring when I limit them from one pasture and choose for them another. Because with all the ear scratches and loves and apples and goodnight kisses, comes a whole lot of stuff that’s not as much fun in their opinion.

I doubt that Jesus could have chosen a more tender, a more infinitely attentive symbol for His relation to us. For me, as I go about my barn duties, from mucking stalls to picking up the wheelbarrow an impish Sebastian has just overturned, to running a careful hand over everyone as they go out to pasture, it is a mercy that is new every single morning.

out to pasture

originally published 2008 on YLCF

The Last of the Amazons

February 22nd, 2010

I could tell by the tone of my mother’s voice that something had happened–even over the phone I sensed the gentle sadness–and I knew with a pang of kindred sorrow what it was. Aunt Ruth had died.

Quietly, my mother told me, in her sleep. 104 years old and the last of my grandmother’s sisters. The last of a generation that was mighty upon the earth.

I never thought the Aunts would die. It never seriously occurred to me to fear it—they were too foundational to the proper functioning of the world in general and my life in particular: like Corinthian columns fluted and lovely and made to bear the enormous weight of life with seemingly effortless grace, especially in such a precision of placement as these five sisters had aligned themselves. Even frail little Aunt Ruth, an invalid these forty years, had borne her load manfully, with a core of iron and steel beneath her thin housecoat. Out of all these mighty pillars only she had remained, her faded, almost transparent little body but thinly veiling the light and fire of a still-vibrant mind within.

And now she was gone, too.

The last time I saw her was on a broiling day in late August, nearly as stifling indoors as out in typical Deep South fashion. But it was a warmth that enveloped me like an embrace and distilled with it the essence of summer days long-ago but not lost. We came in through the kitchen and the scent assailed me even more potently than the heat had done, for it was precisely the smell of every other Aunt’s kitchen, a kind-of incense of sausage and cornmeal and Wesson oil, with simmering field peas thrown into the mix. (Grandma’s kitchen always seemed heavier on the sausage-side for some reason, and Aunt Tiny’s, of course, was imbued with the perfume of caramel icing.) Though there were no field peas simmering that day, nor any other indication of domestic activity, there had been enough over the years, I imagine, to steep the very walls with nourishing aromas so that they exuded a collective memorial of the sovereigns in print aprons that had presided there for so long.

Aunt Ruth was lost in a recliner and a pale green afghan and her eyes wandered listlessly while the conversation went on because she could hear so little of it and see nothing at all. But the minute my mother asked for a tale or a reminiscence from the past those eyes came to life. They sparkled; they shone like a girl’s in the first headiness of youth. The little hands worked excitedly and the honey-sweet voice droned on and on about the old days with a lilting that was like music. She told us about the first automobiles that they saw down on the river roads, and how every time a car went past their old farmhouse it would honk for sheer neighborliness and all the children would come running out to see it and wave. How the first time she drove a car herself she was twelve years old and her mother was sick and she had to go and get her daddy. How on her honeymoon in ’29, she and Uncle Bugg drove to Washington D.C. in a red Ford Roadster and went up for a tour in an airplane.

She spun a magic that afternoon in her simple words so fraught with happy remembrance, so that the steamboats on the Altamaha wavered into existence once more and plied their course through the murky waters. And the live oaks that arched over the deep tram road down in the swamp rang with the voices of children long-since departed, swinging across the chasm like so many monkeys. Even the terror of the stunt flier that crashed into the Number One bridge before their very eyes when they were picnicking on the river as a family had a certain conjuring of grotesquerie about it, like something one might encounter within the pages of Flannery O’Connor. Her manner changed with the telling of that tale, her voice dropped low and the bright eyes were hooded with an unforgotten horror. A dark thread amid the brighter ones, throwing color and joy and light and goodness into sharp relief.

Philip fed her just the right sort of questions, shouting politely across the room, and the glances he and I exchanged expressed our mutual enjoyment. How often, after all, does one have the opportunity to spend the afternoon with someone who can boast of over 100 years’ worth of experience in this world? And yet, as we sat in Aunt Ruth’s parlor that day we could have been in the ‘Front Room’ of any of the Aunts. There were the same 1950’s-era portraits of her girls on the wall, the same best furniture, the same aura of gentility and dignity. Each of the sisters’ homes had their own unique stamp, but some indefinable likeness in Aunt Ruth’s parlor invoked all of them at once. From this distance they all seem to have been painted the same pale, limey green, though I know they were not: Aunt Tiny’s was splashed with the color of her bold and vivid oil paintings, and Aunt Babe’s had pale carpet which was stiff on bare legs and religiously unsoiled. Grandma’s had marble-topped tables and a beautiful antique lamp dangling with crystal prisms which was the absolute only thing in her house she ever worried about us breaking. Nevertheless a uniform impression of coolness reigned on those sultry afternoons when we’d sit in state in one or another of them and give an account for ourselves: our grades–first in preeminence–and then our music and perhaps our ballet recitals or tennis matches. (Too many ‘extracurriculars’ were somewhat suspect, the general consensus being summed up in my grandmother’s fear that we might be ‘jack of all trades; master of none’.) And they wanted to know about our friends, which says the world of their genuine interest in our lives. My grandmother knew every one of my friends by name, though she’d never met most of them, and she kept such a detailed mental account of them that whenever we talked she could ask me if Jenifer was still in the marching band or where Ann was going to school or if Amanda and her new husband had bought a house, a fact which, naturally, I took for granted at the time, as we do some of the most precious and genuine things in life, but which strikes me now with a sweet stab of belated gratitude.

(We didn’t always sit in the Front Room, of course. Only on such calls of ceremonial reckoning. On other occasions we’d settle comfortably in rockers and recliners under the ceiling fan in the den, or in aluminum folding chairs in the back yard. But no matter where you ended up, you always came in through the kitchen. No one ever entered an Aunt’s house any other way. And no one ever knocked—a bang of the screened door and a trilling “Yoo-hoo!” was the only announcement a visitor required.)

I was in a state of resolute bliss that August afternoon at Aunt Ruth’s, overwhelmed alike with her memories and my own, and every sense sated with time-erasing impressions. I clung to the moments almost desperately, dreading the time when we had to go, back on the highway, back to the city and the present age and the noise and confusion and hurry. I wanted to be a little girl again with a new piece to perform on Aunt Ruth’s piano—always a bit trying as I was constantly reminded that Aunt Ruth had done the very elegant and appropriate thing of going to Conservatory. (Though I really think as a child that I had some nebulous notion of Aunt Ruth sitting in a starched white dress in a room full of palms and tall windows.) It would have been wildly inappropriate for any of her sisters to have done something so purely ornamental; but for Aunt Ruth it fit her personality like a fine, kid-leather glove.

The whole afternoon was a gift, a window opened mercifully, if briefly, upon my past, granting me glimpses of things I thought vanished forever. Aunt Ruth was enough like my grandmother, in voice, in appearance, even—though so shrunken and tiny—to make me believe for one sweet moment that a beneficent Providence had brought her before me once more. I wanted to throw my arms around Aunt Ruth’s neck that afternoon, and kiss her wrinkled cheek in tearful greeting, for Grandma’s sake, and for her own self-effacement in looking so much like her to me. That’s what I was doing inside as I knelt beside her chair and pressed the beautiful claw-like hands that were once so proficient in Chopin and Schubert in my own young ones.

For even now, so many years after Grandma’s death, it’s only the sight of her tombstone that makes me realize she’s really gone. And Aunt Babe just down the way. Aunt Mary Mac nearby and Aunt Tiny over the hill. And now, at the last, little Aunt Ruth, laid to rest beside her parents. It just cannot be. These were the Immortals; these were the Amazons, these diminutive ladies with their cool fresh front parlors and their very decided opinions on the cut of a roast and the year’s crop of mustard greens and the dispensations of the young lives in their charges–lives loved better than their own.

They are the stuff of legend, and fittingly so. For the world will not see their kind again.

Touch Hands!

February 14th, 2010

Valentine's Day, 2010

February 12, 2010

The phone calls started the night before and continued into the morning:

“Are you going?”

“Do you think the roads will be safe?”

“What does your husband say? What does your mother say?”

I had been watching the weather forecasts just as intently as everyone else. And I was just as torn up about it. Any other day, was the track along which my anxious thoughts kept running. But not the afternoon of my precious friend’s party, the Valentine Tea that’s become legendary not just for the number of years we’ve enjoyed it in succession, but for the overflowing love of our hostess, perennially delighting us with the art of her kitchen and the warmth of her home. The years are so crammed with memories that they all seem to blend together in a tender mural of glitter and lace, homemade chocolates and heart-shaped scones. Little hands dispensing their tokens of affection and larger ones just as eager to impart theirs. Buoyed and borne upon oceans of hot tea and haunted by the music of feminine conversation: by times intense and passionate, and light-hearted and shrieking with laughter.

And though some of our girls have grown up and wandered far over land and sea, the same memory draws us all, and there’s still a handmade Valentine to be looked for in the mail—and last year even a high-tech Skype call from Sarajevo!

And so it was with a decidedly conflicted heart that I pored over the forecasts and discussed possible outcomes. I mean, snow down here in God’s country is a treat; a holiday! A fleeting miracle of what Brenda so endearingly calls Narnia-magic. If only we could have the magic without the potential danger of those roads winding up to my friend’s mountaintop home!

The Eastern Fence

It must be understood: we Southerners are famously chicken-headed about snow. (And characteristically proud of it, I might add. ;) ) When I look at the pictures of Mid-Westerners’ snowy lanes and New Englanders’ high-piled gardens, I confess it’s not without a shade of completely ignorant envy. And a rather liberal dose of admiration for the indomitable cheerfulness and creative joy with which the privations of winter are met in such regions. I don’t know how it is in other parts of the country, but the appearance of so much as a single flake in the five-day forecast will literally clean out the bread aisles in the grocery stores in an afternoon. And the steady campaign of a storm already dubbed ‘Southern Fury’ headed our way was certainly enough to give us pause.

Experience is a great teacher, however, and wisdom is often its fruit. And as my mother has more of both in stock than any of us younger women put together, we tallied up the smiling but conflicting suggestions of our husbands and we asked her what to do.

I’m going,” said the indefatigable Claudia. “And if anyone wants to go with me, they’re welcome to.”

The only thing certain about snow in the South is uncertainty, she might have added. No one really knows what’s going to happen till it’s happening. And as there wasn’t a snowflake in sight—not so much as a pellet of sleet—it did seem rather overly cautious to forego the joys that awaited for a prediction of snow that might prove just as mistaken as the half-a-dozen previous this winter.

Offerings of Friendship

All we needed was a leader, it seemed. And we fell in line with alacrity, glad to have someone at the helm and the party beckoning on the horizon once more. Ashley and Edie met at my house along with my intrepid mother. Rachel and Debra and their collective girls set off together. JJ was to meet us along the way.

And just as we got in the car and slammed the doors shut with a giggle at our former indecision, it started to snow. Heavily. We turned around at the end of my driveway in distrust of my half-hearted windshield wipers and piled into my mother’s sedan in even higher spirits than before. Edie transferred, along with her dainty basket of Valentines, a brown paper bag from my car to my mother’s. It seemed that her husband had insisted upon her taking a change of clothes. Just in case

“It’s too warm to stick,” we assured ourselves. “It’s just a wet, slushy snow.”

“But it’s pretty,” Ashley said.

We were all imagining Wendy’s home, tucked up among its trees like a picture in a storybook with the poetically harmless snow falling outside.

But about a half-an-hour into our trip we started getting nervous. The interstate was growing sluggish, and the roadsides were becoming decidedly white. And the flakes weren’t melting on the road quite as quickly as we’d like to have seen.

“I don’t feel good about this,” my mother said in a voice just as firm with conviction as her earlier assertions had been.

When once the confidence of our captain wavered, the crew wasted no time in following suit. Edie piped up from the back seat, and I, never one to scruple over voicing an opinion, threw in my oar with an emphatic concurrence.

Sebastian in the snow

We pulled off at the next exit and we made my mother put in the hateful call to Wendy. Almost tearful with the disappointment we all shared, she broke the news that we just didn’t think we could go any further—that we were turning back. It broke our hearts to consider all the tender care Wendy had gone to; the knowledge of what we were missing finished the job. And we couldn’t even let ourselves think about the four little baskets of handmade Valentines that had accompanied us on our failed voyage. Husbands started calling and were called to confirm the decision; Rachel and Debra, ahead of us on the road, were forced to abandon the mission shortly thereafter. And poor JJ, in the lead of us all and waiting patiently at the meeting point, had no choice but to navigate onwards alone.

It was Ashley who broke our glum silence.

“We could stop at the French bakery.”

I turned around in my seat and grinned at her, so pretty and stylish in her 1950’s pink velvet hat and soft lavender scarf.

“I’ve got some gorgeous white tea,” I said.

“We could sit by your fire,” my mother added, only taking her eyes from the road long enough to cut her eyes hopefully in my direction.

“I have some little cookies in my basket,” Edie said in her sweet way.

The very thought cheered our way, and we were able to be glad that we had tried and failed instead of accepting defeat without a fight. That’s one thing that I love about my mother—one thing that the day’s little misadventure illustrated in vivid color: she’s not afraid of anything. She faces the mountains in her life with the unflinching eye of faith. But she has wisdom enough to heed the pluck of prudence at her sleeve, and she’s keen enough never to mistake ordinary foolhardiness for courage. A small picture of a great reality. But no less striking for its delicate subject matter and compact frame.

When we got back to my house, Ashley put on the kettle and got out the dishes while I laid the fire, and my mother peeled some blood oranges and Edie sliced some nice cheese to go with our exquisite pastries from the bakery. I turned on the Little Women soundtrack, which always takes us back to Valentines long past, and we feasted and laughed and enjoyed one another and the absolutely breathtaking aspect of the falling snow. It was such a sweet moment of companionship, held in the pristine silence of the materializing wonderland outside. Unlooked-for and perhaps all the sweeter because of it.

Edie's Valentines

But it made me sad for all my delight when the others produced their Valentines—such exquisite little creations can hardly be conveyed, each one a small labor of love—for the baskets still brimmed with the offerings for all those other dear ones whose company we missed that afternoon. Ashley had crafted lovely paper swallows with glittered wings, and Edie had fashioned tiny treat boxes daintily trimmed with ribbons and flowers and sentimental ephemera and filled with the aforesaid cookies. We divided up the lot according to who was going to see whom next—I took Rachel’s and JJ’s, while my mother took Wendy’s and Debra’s—and soon after the party broke up in the interest of everyone getting safely home. But it was even a lovely picture as I stood at my door and watched them down the front walk, laughing and waving, traversing the snow in flimsy heels with white flakes starring their coats and hair and velvet hats.

The Next Morning

A sequel of phone calls the next day confirmed that corresponding little fetes had taken place that afternoon by Debra’s kitchen fire and at Wendy’s, as well, with the troopers that were able to make it, in what my mother is calling the Cell Group Valentine Party. But scattered though we may have been, as effectually as the aforementioned wanderers, there was a great sympathy of friendship binding our hearts that day. And a figurative, if not literal, touching of hands…

Ah, friends, dear friends, as years go on
and heads grow gray, how fast the friends
do go. Touch hands, touch hands,
with those that stay. Strong hands to weak,
old hands to young…Touch hands! Touch hands!

~William Henry Harrison Murray

My Garden

Teacups and Paintbrushes

February 8th, 2010

Afternoon Tea by Alexander M. Rossi

January 12, 2008

Last week my sister-in-law had two of my friends and me for lunch. It had been arranged before Christmas, a flurry of emails having saved and secured the date, but as I set out on that dour January morning, it seemed to me that the timing of our little gathering was exquisitely providential. My mood was as heavy as the dark clouds piling in from the west; tears seemed even more imminent than raindrops and the headache that had been brewing with the approaching weather front was raging so violently I could hardly see straight. I pulled into her driveway with something like a sigh of relief and hauled myself out of the car, grateful only that I hadn’t gotten a speeding ticket on my way there as I had two days previously en route to meet two other friends for lunch…

Edie still had her Christmas wreath on the door—fresh and yet fragrant it was too lovely to take down. I gazed at it rather mournfully, luxuriating a bit in my post-holiday blues. But before I had a chance to knock the door swung open, and there stood Edie, smiling in her radiantly gentle way, and beyond her, Ashley and Debra, waiting to receive me with hugs and smiles of their own. Is there any medicine on earth so potent as the embrace of a friend?

I forgot my headache. I dismissed my Janu-weary mood, for what place had it in this little sanctuary of beauty and warmth? The 1920’s bungalow was aglow with candlelight, and soft French music lilted through the rooms. A collective gasp went up at the sight of our table, for a more daintily feminine array cannot be imagined. There were place cards (with appropriately deco script), and the damask cloth was laid with every possible accouterment for a ladies’ tea: antique china, vintage silver, a tiered cake plate boasting everything from homemade scones to macaroons and melt-in-your-mouth truffles. On the sideboard stood enticing decanters of chilled lemonade, with crystal goblets at the ready. And everywhere I cast my eye, it seemed, were sweet little bottles and vases of pink and white spray roses. Pretty as a Valentine; proper as an English tea room.

Edie brought out the soup course while I poured the tea, and then we fell to the feast of fellowship with as much relish as that with which we polished off the roasted red pepper soup, and the mushroom and pine nut quiche that followed. Our conversation took a delightfully meandering course, as it only can in the hands of like-minded ladies. We discussed everything from organic gardening to vacuum cleaners, touching on politics, homeschooling and needlepoint, each in their turn.

But over all our talk, it seemed, a shining mantle was cast, a high vision of beauty’s worth that infused every subject with a strange sort of lowly nobility. Time and again we came back to one of the tenets of our homemaker’s hearts: the value and validity of loveliness. The power of beauty, in its simplest and purest sense, to speak audibly of the presence of Jesus Christ in our lives. Beauty is of Him, from Him, for Him. Beauty has a language that transcends even the finest words, that soars above our sweetest experiences in this life and whispers to our souls of what heaven will be.

Debra and Ashley are painters, artists in both life and craft. It has been beautiful for me to watch the former inspire and instruct the latter, pouring herself out, as it were, to the enrichment of a friend’s creative world. As a homeschooling mother of three, Debra could easily justify the forestallment of her own artistic desires. But instead, she’s set an example for the three of us childless women not to deny the significance of our own unique and God-given talents, even in the whirl of a houseful of teenagers. Creativity is a hidden spring, feeding the deep wells of our personalities. And when that spring is tended, unclogged and running true, cups of cold water in His name abound. We give of ourselves, because there is something there to give.

Ashley has approached the discipline of oils with courage and joy (almost she makes me want to paint…not quite. I’m not that brave!). I love to go into her house and see a new work in progress lying on the dining room table, or to catch that light that comes into her eyes when she’s describing some technique that Debra’s entrusted to her. Ashley doesn’t want to have her works in the Met, or even make a living off her paintbrush. She wants beautiful things of her own making on the walls of her home; she wants to give gifts that are indeed a portion of herself. When one considers that her whole life is a gift, that being around her is one of the most energizing occupations I can think of, it appears that the hours spent mixing paints and poring over a canvas are a perfectly natural and even necessary replenishment for her.

Into the midst of all our high talk that afternoon, Ashley slipped an analogy she’d heard in a sermon that caught my fancy in a compelling way. She gave us a picture of our callings: Some of us are tiny watercolor brushes, with only a few strands, intended for the most delicate of detail work. And the range goes all the way up to those big industrial paint rollers that can cover a whole wall in minutes. If you asked a watercolor brush to coat the side of a building it would be a disaster that ended in despair. And a paint roller would wreak havoc upon a little violet in a cut glass vase. Is the paint roller more important, more valid, because it covers a greater area with speed and efficiency? Is a Winsor & Newton more extraordinary merely because it is able to capture the rare beauties of life that might otherwise have been trodden underfoot? We all know the answer—in our heads. Both have their place and their job to do. And it’s a job that is certainly never going to get done by looking around at the other brushes nearby and comparing oneself to their bristle size and handle length. Or their subject matter, for that. And just as an artist will rifle through many brushes in the creation of one painting, we will doubtless find that the Master Painter will bring varying sizes of implements to bear upon the living landscapes we’re all creating, day in and day out.

And, if you happen to be a watercolor brush, don’t be mistaken in thinking that you cannot have a far-reaching impact in this world for beauty and truth. In a recent (and umpteenth!) viewing of the movie Miss Potter, I was struck by something she said regarding her own art: “I’m not very good at landscapes,” with a somewhat regretful glance over a sweep of Lake District loveliness. But Beatrix Potter was good at animals. And charming little stories that revealed their dignity to untold numbers of children the world over. She did not set out to write the best-selling children’s books of all time, or to almost single-handedly save the Lake District. She was just brave enough to be good at what she was good at. And there’s not a one of us alive who should not be grateful to her for it.

In like manner, Edie was merely living in her gifts that day. Hospitality, gentleness and grace; the touch of an artist upon her table and the rooms of her home. She gave of herself in that little luncheon for four, and created an environment for edification to flourish. It took time and great care, and a painterly attention to detail. (And if she wasn’t the immaculately tidy housekeeper I know her to be, I’d say she was still washing dishes!) She refreshed us from a source both deep and true, and I feel safe in assuming that she was refreshed in the process. This is beauty’s seal and signature: a mutual joy and a glory to God.

Renée Zellweger as "Miss Potter", Phoenix Pictures, 2006

originally published on YLCF