Beyond Our Ken

October 5th, 2011

It’s rare that people pay a first visit to our old farmhouse without asking if we have ghosts.

I can hardly blame them; I wondered the same thing the first time I came here. It’s certainly haunted with its own past, standing there under its trees, brooding gently over vanished things like a wise old woman holding tryst with memory. It arrests me every time I pull in the drive.

If my husband is present I cut him a sly smile. We love to creep each other out occasionally in the night watches—an impishly easy task, with all these shadowy corners and creaking floorboards—and then laugh at ourselves the next morning. But he knows that I’m not fool enough to tempt fate with a bald-faced commitment beneath the very roof I have to sleep under that evening.

Instead, I usually reply with a shrug of the shoulders and an ambiguous, “We-ell…” that could go either way. If I’m feeling particularly sure of my company, I may quote C.S. Lewis by adding playfully that, “if my house is haunted, it’s haunted by happy ghosts.” Indeed, the folks who built this place over a century and-a-half ago were good, God-fearing Methodists, and apart from some serious Civil War action in the front yard, the rowdiest times it’s seen were probably Wednesday night prayer meetings in the front parlor.

But any home that’s been around for as long as ours has undoubtedly seen its share of things worth telling. The romance of an old house is its story, and it still happens from time to time that some descendant will show up on our doorstep bearing a thread of the tale we haven’t heard—or, at least, that version of it. Not too long ago, a grandson of the last generation of the original owners came by for a visit and held us enthralled a full summer morning with a running narrative as we wandered over the lawn, down to the barn, up to the house again and through the cool, high-ceilinged rooms. We heard the old, familiar ghost stories, told with such an artful relish that Philip and I couldn’t help exchanging a few grins of genuine glee. There were flesh-and-blood accounts, as well, tales of the men and women who had once been as alive in these rooms as we are today. The old gentleman’s stories made them live once more, if only in the sudden match-flare of the telling.

But there was one story I had never heard before. We were standing on the front porch saying our goodbyes when our guest paused and looked at me with an appeal in his eyes.

“Just one more.”

We fairly begged for it, while his wife tilted her head and shifted her purse on her arm with an indulgent smile. She must have seen that eager boy-light on his face just as plainly as we did.

“Well, it happened like this,” he began, with the drawling ease of the raconteur at home in his calling, “back in the old days it’d get so hot in the summer it was just unbearable, and the folks all used to sit out here on this porch in the evenings trying to keep cool. One night my daddy was sitting with his cousin, who’d come for a long visit. They were just rocking and talking and everything was still—it was long about sunset. All of a sudden, my daddy’s cousin jumped up with a shriek and took off running towards the road. You know the old road used to come down right through the middle of your front pasture there,” he gestured with a flourish, not waiting for a reply. “Well, my daddy just sat here watching her with his mouth gaping—he thought she’d taken a sudden fit as he couldn’t see a blamed thing. And when she came back, she was crying like her heart was broken.”

“’It was my brother,’ she said through her tears. ‘I saw him standing there right at the bend, but when I got to him, he wasn’t there anymore.’

“That would have been strange enough,” said our narrator, in a voice that sent a cold crinkle up the back of my neck, “but for the fact that they got word the next day that her brother had died unexpectedly, to the very hour and moment she’d seen him standing there at the bend in the road.”

The hair stood up on my arms and I felt the goosebumps chilling down my legs. It wasn’t fear I felt so much as awe—a trembling wonder at the thinness of the veil before which we’re all disporting our lives away with so little thought for the mysteries on the other side. I walked along the drive after our guests had gone and stood leaning on the fence, gazing at the spot where so extraordinary and inexplicable a thing had reportedly occurred. A soul taking leave of an absent loved one on the cusp of its long flight? Was it really possible?

We sat out on the porch that night, long after dark, watching the fireflies kindle their elven lamps in the trees around the house and along the old, memory-haunted roadbed through the front pasture. I eased my rocking chair back and forth and then tucked my legs up under me in the cane-bottomed seat.

“Why doesn’t it happen anymore?”

I asked it soft, whispered in the warm gloom, but my husband knew exactly what I was talking about. Why do all such stories seem relegated to the distant past? Why is the average modern life so strangely insulated from the unexplained?

Is it because we’re all inside watching TV? “Distracted from distraction by distraction”? Or have we grown too old and wise as a race to admit that there are things in this world—things Scripture is silent on and Science can’t explain—that we will never understand till we shake off this mortal coil? As Christians we are fortified by the promise that we’re peering through a glass on the eternal verities, that God in his grace has given us a view from a window the world can’t see. But it’s a dark glass, and things pass before it that our time-bound vision just can’t distinguish yet. Like a character in a George MacDonald fantasy, we’re all growing into our eyes and learning the meaning of a dual citizenship. We’re learning to see what’s at the end of our nose.

I’m no theologian, but my guess is that modern Christianity has lost much of its romance simply because we think we’re already there. We’ve talked the mystery out of it and we’ve slapped a tidy label over the imponderables. Anything that can’t be explained is suspect or tossed on the rubbish heap. We have lost our fairy birthright of the What-If.

What if souls were really permitted impossible leave-takings? What if there was life out there in the star-hung heavens, in another galaxy than our own? What if the scrim were really so thin and time so nonlinear that one could experience a sense of place deeply enough to actually share it for one fleeting moment with the ones who had once loved it as they do—or at least catch the rustle of a silken skirt in the hallway behind them?

I’m not making a case for ghosts, of course, but for the mere character of a God who can do anything. Who is more fierce, more wildly tender, more untamed and untrammeled than our craziest dreams could make him out to be.

Not different than what our Bible so faithfully tells us, but more.

We’re all trembling on the brink of a wildness that is terrifying and exquisite beyond anything our earthly experience could prepare us for. But I have to wonder if God doesn’t occasionally drop hints of the surprises he has in store: glimpses of a goodness we couldn’t bear even if we were able to conceive of it.

A few years ago I had the inexpressible privilege of watching at my grandmother’s deathbed. I was holding one of her tiny hands, still so lovely and ladylike yet strangely ashen with a marble pallor. My mother had her other hand and Daddy was at her head. I will never forget the peace of that place or the curious sense of joy that kept tugging at my grieving heart. I remember there was an April breeze coming in at the open window, lifting the sheets lightly and fanning wet cheeks, and the day outside was pale and silvery, as if too much sunlight would be an insult to our sorrow. We had been there for hours, noting the least change and talking quietly about the things we loved best about her, when suddenly I was completely overwhelmed by the thought of how beautiful it must be to die surrounded by those who love you so dearly—to be escorted thus from one love to Another. What a crown to a life, wiping away all the ravages of suffering and disease and leaving only beauty and blessing in its wake.

I saw the tired features relax; an unmistakable calm came over the dear face that had been agitated by Alzheimer’s for so many years. It was incredible—like a healing before our very eyes.

And it was then I knew beyond all doubt and misgiving that there was a Presence in that room: a Glory that would be our undoing if it were fully revealed. The air was heavy with it, yet not oppressed; I looked at my mother and I knew that she sensed it, too. I have heard people speak of such things; I have read of it in books. But I know now what their accounts have been fumbling for. I could never explain it to another. But eternity was so, so near. Or, rather, a curtain was lifted, wavered a bit, and I saw how near it’s been all along.

It was an experience that marked me for life and I thank God for such a peep behind the scenes, fleeting and fragmentary as it was. But we can’t dwell in such sublimities, of course, or we’d be no good for the ordinary blessedness of the common hours. To live unceasingly aware would be, as George Eliot so prudently put it, “like hearing the grass grow and the squirrel’s heart beat, and we should die of that roar which lies on the other side of silence.”

It is good for me, however, when I find myself too “well-wadded with stupidity”, to be shaken out of my complacent notions of a safe universe and a tame God by a nudge of the incomprehensible.

Even if it’s only a bump in the night that makes me think that the lights can stay on upstairs just this once.

originally published June 2011 on The Rabbit Room

Favorite Things ~ September Edition

September 5th, 2011

Try to remember the kind of September when life was slow and oh, so mellow... ~Tom Jones

In the old Victoria magazine, one of my most cherished departments (among a crowd of loved ones) was Favorite Things. I always saved Chimes for last, and I religiously denied myself so much as a peek at the main body of the magazine—with its ravishing spreads of Old Masters-esque photographs and seasonal quotations from the likes of Bronte and Keats flourishing across the pages in sinuous script—until the proper details of the setting were in order: tea, a favorite chair by the window and a little bite of something lovely. (If it sounds like I used to have a party for my new Victoria, then I can only say that it deserved it.) But Favorite Things was always fair game. I could lose myself in it on the way back up the driveway from the mailbox and stand propped against the kitchen counter while my family bustled their commotion around me in an oblivion of utter impunity. Favorite Things was always my gateway to the rest of the magazine, even more so than Nancy Lindemeyer’s lovely letters, which I usually read next. It set the stage, so to speak, and called forth a host of memories and ideas suitable to the season that approached. There was a magic in that column that threw a rainbow tint over the month in question, intentionally highlighting its unique little pleasures and joys, comforts to be indulged in, and the subtle shades of distinction that make a kaleidoscopic variety of a year.

(I am well aware that the new Victoria carries the same feature. But it is not the same. It’s lost the magic. For me, at least.)

It is in memory of this, and perhaps in token of the fact that the start of each new month is always a ‘beginning the world’ for me—and never more so than September!—that I have decided to commence a Favorite Things feature here at Lanier’s Books. There are so many miracles to celebrate as our year revolves: small wonders to mark and keep; mementoes to pocket in tribute to a month’s unique identity. Bits of lovely that happen to make my heart happy at a given time.

It’s all so blessedly new when we turn the page of a calendar. And even more blessedly familiar. I’d like to welcome the changes while honoring the unchanging rhythm that undergirds and makes of all our brave adventuring into a month, at heart, a homecoming.

I had the inestimable pleasure of hosting this lovely little lady for the past year as a memento of a dear friend across the sea. Her name is Mariette and her manners are just as decorous as one might expect. While I was more than happy to return her to her family upon their return from abroad, her place has felt empty, and I have been half-heartedly looking out for a replacement.

Imagine my joy, then, when I spied this dainty creature in an antique shop. She appealed to me so endearingly with that modest expression of hers that I bought her on the spot and brought her home. Her name is Babette. I just love the way that a new spot of pretty can make a whole room feel fresh.

Departing summer hath assumed
An aspect tenderly illumed,
The gentlest look of spring;
That calls from yonder leafy shade
Unfaded, yet prepared to fade,
A timely carolling.

William Wordsworth, September

Amid the longed-for September rains and the sweet decay of leaf mold, the mushrooms always start popping up like magic overnight. I love all the little colonies and clusters along the drive, some so elegant with their slender, white stalks and velvet caps, and others squat and brown and droll to the point of being ridiculous. They are all friends.

Earth’s crammed with heaven,
And every common bush afire with God;
And only he who sees takes off his shoes;
The rest sit round it and pluck blackberries.

E. B. Browning—Aurora Leigh

I believe that for the rest of my life, September will always make me think of Maine, and one sunset in particular that seemed to sum up the full beauty and sacredness of a week of much-needed solitude with my beloved. We hid ourselves in a clapboard cabin on a remote, spruce-fringed bay, and watched the land turn mellow around us every day. And every night there was a display of fire and gold in the sky and its reflected vanguard on the sea that took my breath with the love of God. This one was at the Bass Head Light.

The breezes taste
Of apple peel.
The air is full
Of smells to feel-
Ripe fruit, old footballs,
Burning brush,
New books, erasers,
Chalk, and such.
The bee, his hive,
Well-honeyed hum,
And Mother cuts
Chrysanthemums.
Like plates washed clean
With suds, the days
Are polished with
A morning haze.

John Updike, September

Was I the only one that gained serious wardrobe inspiration from the "Land Girls" feature in Victoria magazine, September 1998? I still go back to that one each fall just to stir up ideas for a favored look of mine. I call it "English-farmgirl-chic" and it's all tweeds and head scarves and sensible shoes and sweaters. The Land Girls were simply gorgeous to me, and Victoria honored them well, in my opinion. But it wasn't all about being absolutely stunning in overalls and Wellies. They were an amazing army of women that held the lines on the homefront during WWII and literally kept England from starving while most of the men were overseas. I spoke with a lady in her eighties once who had run away from her home (and her chores) as a girl to join the Land Army. After a few weeks of grueling labor in the fields, she ran away from the Land Army back to her mother's kitchen in Manchester!

How shimmer the low flats and pastures bare,
As with her nectar Hebe Autumn fills
The bowl between me and those distant hills,
And smiles and shakes abroad her misty, tremulous hair!

Lowell, An Indian Summer Reverie

September is my favorite time of year to camp. Nights just chilly enough for a campfire and days long and languid enough to feel like summer and something sweeter. I always forget how many stars there really are until we take our Silver Turtle out under a September sky and remember what a staggering miracle of wonder it is just to be alive. I can never quite fully recapture that sensation under a proper roof.

Lord, it is time. The summer was very big. Lay thy shadow on the sundials, and on the meadows let the winds go loose. Command the last fruits that they shall be full; give them another two more southerly days, press them on to fulfillment and drive the last sweetness into the heavenly wine.

Rainer Maria Rilke

Blessed September, my friends!

Trip the Light Fantastic

August 22nd, 2011

New York City, 1931

My car arrived in the darkness before dawn: a darkness that is never really quite convincing in this city that tolerates the night more than accommodating itself to it. I looked out my window on the quiet Manhattan street below. It seemed pent up with an unnatural energy, biding none-too-patiently for the first magic rays of gold that would break the spell and waken it to bustling, incorrigible, indefatigable life again. There is no press of humanity  like the crowded sidewalks of New York City, tourists and natives alike all going and being and doing with such a frenzied intention—and never for a moment forgetting the wild wonder of where on earth they are.

My sister came with me to the curb to see me off and we hugged fiercely one last time in the murky gloom of the streetlights. Four days of laughing till we cried and breakfast at noon and comfortable silence and endless things to say. The long leisure of serious talk and the equal luxury of levity. Old inside jokes and new beautiful memories all heaped with such wealth I staggered under the glad burden.

“Who would have thought that four days in The City That Never Sleeps could leave me so rested?” I wrote her later.

And yet, it was true. Admittedly tired in body, a little sleep deprived and slightly over-caffeinated, yet I was restored and refreshed in so many ways by my time with my sister in her city. She loves it so much; it is evident in every gesture and every look, in the way she strides down the thronging sidewalks with a sense of modest possessiveness and threads the indecipherable maze of the subway. You can hear it in the way she speaks of “The Village” and “The Res” and “The El” without the least hint of affectation. Spurning what she calls the “transplant mentality”, she embraces New York frankly for what it is and with the candid eye of affection accepts its enigmas and frailties along with its towering, titanic superlatives.

“It’s not perfect,” she said, as we walked past a row of tree-shaded brownstones on the Upper West Side. “And it’s not better than home, or any other place people happen to come from. It’s just different—it is what it is.”

It’s New York—the most incomprehensible city on earth. I feel that the essence of all that is best and worst about American culture can be found here in undiluted intensity. Times Square, where I was cat-called, “Hey, Blondie!” and had something unidentifiable spilled in my shoe, is the most garish monument imaginable to a consumer society. Last time we were there I was so over-stimulated I was looking for the exit. Knowing how I feel about it, Liz took me through as a little joke, en route from Port Authority to the subway.

“I thought you needed a sensory overload,” she laughed.

One of the fairy tale bridges in Central Park

And yet, the real overload for me is always Central Park. I can never believe that it’s really that lovely, or that the original 1850’s designers would really have had the remarkable foresight to set aside 700 acres in the midst of what would become a city of eight million people.

“What would New York be without it?” I asked my sister as we sauntered along the Reservoir in the shimmering haze of a summer afternoon.

The rushes were gold-tipped along the fringe of the water and the buildings of Central Park West across the way glistened with silver like a celestial city. There was some exquisite fragrance abroad, and the old trees beneath which we passed were heavy with crabapples, heralding autumn. As at any other time I’ve ever set foot in Central Park, I felt I needed to be looking in all directions at once; there was too much beauty to rest my eyes long in any one place. Everything New York does, it seems, even a cultivated wilderness in the heart of a concrete jungle, is on the grandest scale imaginable.

The Reservoir

Liz had told me we’d need a month to do all the things she had in mind, but despite a rather languid pace, we managed to knock a good chunk off of the list she had composed for my visit. We hit her favorite coffee shop in Union Square and had a sidewalk brunch at the French Roast I love on Broadway. We had tapas in Hell’s Kitchen and ice cream overlooking the Hudson. An aperitif and appetizers in the rooftop garden of her building and a shared falafel under an awning in the rain.

At the Neue Galerie on 5th Avenue, we had the most exquisite Viennese encounter with pastries and kaffee crème (she had the linzertorte and I put away a schwarzwälder kirschtorte) at the famed Café Sabarsky inside the museum. I thoroughly enjoyed the Klimts and the early twentieth century decorative art of the exhibit, but I have to wonder if the art of the humanity around us in the café was not even more interesting. It truly felt like a glimpse of Old World Europe, with a gentleman perusing a German newspaper on one hand and a party consuming a hundred dollar bottle of champagne on the other.

We also managed to do a considerable amount of damage in the shops of SoHo. I’m not a big fan of shopping in and of itself (my husband may respectfully disagree, citing the relative size and overflow of my closet to his), but shopping with my sister has always been a different matter altogether. With her it’s an adventure and an event; to the plebeian need of a brown cardigan or practical walking shoes has always been added the thrill of the hunt and the spice of triumph. Then, of course, there are always the things that you don’t need, and that’s when her gifts are really invaluable. There’s no one else on earth who will give me so devastatingly honest an opinion. But there’s also no one whose sense of style I trust more entirely. When I walk out of a dressing room and my sister greets me with an, “Ugh, no,” and a dismissing wave of her hand, I know there’s no use arguing. But when she tells me that a jersey frock with an impossibly ruched bodice and bishop sleeves looks like something Cyd Charisse would have worn, I know, amazingly enough, that it’s a go. Particularly when it’s ridiculously on sale.

“But you know you can’t wear it to a wedding,” she reminded me as we left the shop and reentered the throng of Broadway. “It’s white.”

You can take the girl out of the South, but you can’t take the South out of the girl.

I think Liz is always secretly amused by my gaping admiration of her city, but something about New York awakens a shameless wonder in me. I can’t ascend the steps of the Met without a thought of Mrs. Basil E. Frankweiler and her two young friends that once lived there so ingeniously. I can’t cross Park Avenue without stopping in the median to admire it, or walk down 5th without remembering Judy Garland in her diaphanous bonnet, promenading on the arm of Fred Astaire. Bleecker Street always gives me a turn, and I still think that Robert Mitchum and Janet Leigh made a hot dog lunch by the seal pond in Central Park seem like the most romantic date in the world.

“I know I’m a dork,” I said one night, coming back from a late dinner with Liz and her husband Marshall, “but I can’t see 42nd Street on a signpost without geeking out a little.”

“Miracles happen here every day,” Marshall quipped in feigned profundity.

“That’s 34th Street, silly,” my sister rejoined. “42nd Street is where the stars are born.”

“It’s even got its own song,” I added.

One never quite knows how such things happen, but the next instant we were all singing and dancing our way down the sidewalk to a 1930’s show tune. I can’t be sure, but I think Marshall even broke into a harmony.

Which only goes to show that, though my life and my sister’s are as different in externals as that of the Country Mouse and the City Mouse, there are some things that will never change.

“You could never live here,” she laughed one afternoon after a full day of adventuring together.

No, I’ll admit that. And I could never make the success of it that she and Marshall have. Our callings call for settings as distinctive as our personalities. I need my wide green spaces and my friendly beasts and long stretches of unbroken silence. I need to hear Southern accents in my ears every day and, strange as it seems, I think I might even just need our humidity.

I couldn’t live in New York.

But it certainly is magical to visit.

I can’t wait to go back and retrieve the part of me that I left there with her. For that, of course, is the greatest charm in a city of enchantments.

My sister is there.

"No friend like a sister..."

You people are so beautiful.

August 12th, 2011

"Mrs. Miniver", 1942

I have read and re-read the entries for the giveaway of Mrs. Miniver, and I am just marveling at the sheer goodness of the dreams submitted here. The range of compassion and aspiration–from farming to homemaking to artistic initiatives to the mastery of musical instruments–is really astounding, and the particularities of your visions are nothing short of breathtaking. (If you want to be inspired, or to be reminded of the exquisite uniqueness of individuals, then have a look at the comments section.) Thank you all for your candor in sharing such treasures of your hearts. As I’ve perused them, I’ve felt like I was looking into a box of precious jewels.

And I am pleased to announce that the winner of the drawing is Erin Henry, whose dream is to adopt a child.

(Erin, if you will send me your address via my secure contact form or via email to laniersbooks AT gmail DOT com, I will package your book and drop it in the mail post-haste.)

Thank you, all, again, for joining the celebration with such generosity and joy. I am still so dumbstruck that you take the time to stop in and read here, much less leave such gracious words of your own. I wish that I were able to respond personally to each one of your comments, but I do want you to know how much I appreciate them.

God bless!

Bon Anniversaire!

August 2nd, 2011

August 2, 2010

One year ago today my dream of an online bookshop went live. I remember the excitement of messaging computer to computer with my husband and a dear friend on the west coast who had been helping us as we tweaked the final details behind the scenes and prepared to fling open the virtual doors of Lanier’s Books. And, suddenly, after years of waiting and an all-nighter or two, it was real. With a click of the ‘publish’ button, I was a proprietress.

In the moments that followed, I wondered what I had done. Would anyone come—would anyone care? In a world of e-books and high-speed everything, was there even a place for such an old-fashioned establishment as I sought to create?

You settled my fears, once and for all, that first day. I was so overwhelmed with orders that my mother and my husband both had to help me pack books. And in all the days that followed you have blessed me with the priceless gifts of your friendship and your trust. I really wish that I could tell each of you personally what your goodness has meant to me—that you would even take the time to come by and read my words and have a look at my shelves is wonder enough. But your kindness, in word and deed, has nearly undone me at times. I can’t tell you how often I have said to Philip, “The nicest thing about having a bookshop is being reminded of how many truly lovely people there are in the world.”

Back in the spring, I wrote a piece for the Art House America blog about my motivations and experiences as an online bookseller, and I could not handle the subject without talking about you:

In the months since Lanier’s Books opened its virtual doors, I have been astounded by the beauty of the people who have wandered into my shop. Almost every encounter has carried the fragrance of Kingdom kindness, and the generosity of my customers has put as much hope into me as the reading of my beloved books. I have sent out orders and received gifts back in the mail: lovely handwritten letters and recordings of original music and even a watercolor painting freighted with gracious sentiment. One reader actually sent me a book she knew I’d love! It’s been the happiest of occupations, this quiet connectedness and sharing, and I am grateful beyond words for the grace-laden intersections my little shop has afforded me.

You can read the rest here, if you like.

I’m celebrating a crop of friendships today, along with my little shop, and in token, I’d like to host a giveaway of one of my favorite books, Mrs. Miniver by Jan Struther. To enter, leave a comment telling about a dream of your own–one that’s either materialized or in the cloud castle stage. The comment form will be open until midnight EST on Wednesday the 10th of August and a winner will be selected by the old-fashioned method of name-drawing.

Thank you all, from the bottom of my heart, for being the reality behind this dream of mine. You have shown me that the community I dared hope for all those years ago is not only possible, but unspeakably precious.

Grace and Peace.

Proper Introductions: Summer Reading

July 15th, 2011

Frank Weston Benson,'The Reader'

There is something about the long, languid days of summer that begs for a particular flavor of reading, in my mind. I have said this before, but books have their own season for me as definitely as my clothes. I’d no more pull on my cabled wool ‘barn sweater’–so de rigueur for frosty winter mornings–in the middle of July, than I’d consider dipping into the pages of such familiar friends as Anna Karenina or Great Expectations when the temperature outside nudges above eighty degrees. And the hotter it gets, the lighter the fare that’s desired. In the dog days of summer, I eat salads and wear sundresses almost exclusively. And while I disdain ‘fluff’ in reading as in everything else, my summer book choices tend to lean decidedly on the frothier side.

Charlotte Mason warned wisely and famously against ‘twaddle’, and I consider it my duty, as writer and bookseller, never to misguide anyone along that line. But permit me to highlight a few volumes and authors which, if not particularly freighted with great moral themes and deathless prose, will at the least prove gentle companions for a slower, lazier time of year. Perfect for reading in a hammock, or tucked in a cool windowseat…

D.E. Stevenson

D.E. Stevenson is a gem. My book club calls her “Elizabeth-Goudge-Lite”, and she’s who we turn to at least once a year between weighty tomes like Eliot and Gaskell. She was a Scottish writer of the last century and a descendant of the great Robert Louis. And her books are simply charming. She writes of houses that remember their past and women who understand the art of being womanly. In D.E. Stevenson, you will find well-laid tea tables and rambles over the Scottish hillsides, not to mention engaging plots which are usually fashioned upon a frame of revered domesticity. And another joy of Stevenson is that once she takes the time to create a character, she doesn’t seem to want to put them to rest at the end of a book, or even a series. She wrote over forty novels, and the people you love in one book have a way of cropping up again in another character’s story, with a delightful sense of friendly recognition.

Celia’s House is the tale of a young woman who surprisingly inherits her family manor and endeavors to make it her own in the stern face of tradition and under the somber cloud of war.

Amberwell is about a manorial family in the Scottish Lowlands and how they and the community surrounding them both survive and overcome the devastations of WWII.

The English Air is a collectible volume that tells the WWII-era love story of a young German man and an English girl.

Music in the Hills is the sequel to the beloved Vittoria Cottage, but like her other sequels, stands on its own as the charming story of a young man who returns to Scotland and settles down to farming after his service in the army.

The Marriage of Katherine wraps up the story begun in Katherine Wentworth and tells of her new life as wife to a hard-nosed but tender-hearted solicitor and mother to three children.

The beloved English author, Miss Read, received a marked revival of popularity after Jan Karon confessed her a favorite and an inspiration. I love Miss Read’s books, not only because they are light and touching—and yet have a penetrating insight into human nature and manners that’s almost Austen-ish in it’s flavor—but because they were much-loved by my Anglophile grandmother. Most of her books are centered in the fictional Cotswold villages of Fairacre and Thrush Green, and tell the day-to-day stories of people who seem like real-life friends and acquaintances. Like Jan Karon, Miss Read wrote of the life she knew first-hand, and let the rest of the world see how charming it was without faltering into clichés or idealism. And as in D.E. Stevenson, the reader gets the chance to encounter beloved characters again and again.

In Village Affairs, Fairacre’s schoolmistress has to face the challenges of running her school under the terrible rumor that it is going to be closed.

Changes at Fairacre chronicles the encroaching effects of modern life on the village and its inhabitants, and celebrates the staunch fact that some things will never change.

The Battles at Thrush Green are over such matters of consequence as the management of the school and the plan for the neglected churchyard. Not to mention the return of an inhabitant that’s been gone for half a century…

Return to Thrush Green chronicles one family’s upheavals and another’s desire to settle down, all against the backdrop of a finely-rendered English spring.

No Holly for Miss Quinn is the story of a mysterious spinster and the interrupted Christmas that impacted the rest of her life.

In Village Centenary the one hundredth anniversary of the village school is celebrated with all due honors amid the usual turmoils and joys of Fairacre life.

Grace Livingston Hill

So, I’m curious—how many of you have heard of Grace Livingston Hill? She was another author that I first discovered on my grandmother’s shelves. I used to come home from her house on summer afternoons with my arms loaded, only to return them the next week for a fresh batch. They were my great-grandmother’s copies mostly, with the dates of her readings penciled carefully inside the front cover—many of them with second and third notations. From 1887 to 1948, Grace Livingston Hill was the author of over 100 books, most of which were written to keep the wolf from the door. Nevertheless, her stories are all different, even though each of them bears certain hallmarks that her readers came to trust and expect: every story highlights the constant, daily reality of good and evil, and every single of one them carries a message of grace. Her books are endearingly old-fashioned and romantic—chivalrously so!—and she delights with an immersion in period detail, from the cut of a dainty 1930’s frock to the setting of an elegant table on limited means. I still remember being enchanted with the account of a character whipping up a batch of fresh mayonnaise to garnish a salad for a special luncheon! And if Hill’s heroines are a bit idealized, they are absolutely lovely girls and a joy to keep company with throughout the duration of the book. Modern readers, accustomed to the requisite subtlety of our age, may smile over the overt Christian themes of Hill’s books. But I, for one, am an unabashed admirer, in great measure for the quiet delights I received at her hands as a girl and the sweetest dreams which they inspired. I really could (and perhaps will) write an entire post about Grace, but for now, I’ll reign myself in by saying that I may not have read every single one of her 100+ books, but I’ve definitely read enough to vouch for her. Grace Livingston Hill is light reading at its most decent and fine.

The 1916 story, A Voice in the Wilderness, has a young woman stranded in the Arizona desert with no one to help her but a stranger.

Bright Arrows is the sweet story of a girl fighting to preserve her inheritance from scheming relatives, only to find an inheritance that is even more valuable.

Happiness Hill sheds a gentle light on how one can be selfish without even realizing it. This is one of those “what do you really want” stories.

Spice Box is a doctor’s search for the identity of a young patient he saves in a snowstorm.

In Silver Wings 1930’s sophistication meets tragedy when a young pilot goes missing.

The Search is a WWI love story that crosses the class divide.

illustration from "The Trumpeter Swan", by Temple Bailey

In the 1920’s, Temple Bailey was one of the highest-paid writers in America. Yet another discovery among my great-grandmother’s books, I actually didn’t read any of Bailey’s books until fairly recently. But I do love her style. She has a voice that is completely unique, almost fable-like at times, and she manages to write on some very sentimental themes without sounding corny or hackneyed. Reading a Temple Bailey book is like watching a magic lantern show of the twenties and thirties—there is a certain gorgeousness that is never too much. She writes with a lighter hand than many popular novelists of her day, and manages to pull off some worthy morals without ever lapsing into preaching.

From the dust jacket of the 1928 Silver Slippers: “a dance in the moonlight, days of delight and disillusionment, and a day when Joan threw her silver slippers into the sea…”

In Little Girl Lost, a girl of 19 takes a year to make up her mind just which man she wants to marry…

The Gay Cockade is the 1921 collection of 14 of Temple Bailey’s enchanting short stories.

Well, there’s a start, at least, and a peek at four writers with whom one can while a gentle hour or two. (Or more!)

So, what are you reading this summer? I’d love to know.

Proper Introductions is a series dedicated to highlighting some of the titles that can be found on the shelves at Lanier’s Books.

Summer’s Lease

June 21st, 2011

"Summer magic, the soft summer magic, drifts across the meadow. Summer magic, it weaves through the willow, right into your heart."~R. Sherman

I was properly horrified to glance at my feed reader and realize that my last post was three weeks ago! Where has the time gone? It feels like it should be May, and here it is the first day of summer. Philip and I have pledged between ourselves to be as intentional and aware as we possibly can in this sweet, fleeting season. I tend to idealize the summers of my childhood when there was nothing more pressing than a fresh stack of library books and the prospect of the neighbors’ swimming pool in a long series of afternoons that stretched blissfully out into forever. I have to make time for summer’s pleasures now—they aren’t just doled out like popsicles as they were when I was a little girl. But there’s something about a pleasure that’s deliberately created that has a magic of its own.

And the magic of summer is like no other.

Hearts grow dearer and heaven seems nearer, Winter dreams come true. Oh that magic, what wonderful magic summertime can do." ~R. Sherman

We’ve been taking as many meals as possible on the front porch these days. There have been a lot of quiet dinners, just we two, where we’ve talked long and low about the things that matter most to us over fresh summer vegetables and grilled delectables, watching the lightning bugs come out and the moon silver the front pasture and the trees around the house. And there have been a few joyous evenings with friends, mouth-watering seafood and ice-cold champagne and homemade ice cream. We’ve always been astonished at such times to hear the grandfather clock inside chiming midnight, the time has flown so happily. These are the hours that make summer what it is for me. Good company, good conversation, good food.

actually, a springtime breakfast on the porch. but the same general idea.

Last weekend we hosted some of our dearest friends for one of our ‘work-swaps’, and while we accomplished much during the day, it was tempting to stay up all night talking and catching up in the rocking chairs on the porch. We ladies managed to chat ninety-to-nothing over life philosophies and God’s latest work in our hearts while weeding the garden–and even during a bee inspection. But when the four of us starting talking books and Masterpiece Theatre and theology around the table, all bets were off. I’m ashamed to recall how many times I interrupted someone else in my zeal to introduce writers as diverse as P.G. Wodehouse and Dorothy Sayers into the conversation.

With the garden, my main goal has been to keep everything alive and watered in the uncharacteristically brutal heat we’ve had this June. The tomatoes are still green but promising great things. And I’ve planted my strawberries in wicker baskets hanging from shepherd’s hooks for a change, on the recommendation of a master gardener I met in England. We’ll see how the slugs and chipmunks like that! ;) The brambles are all coming in nicely and they are succulent and delicious—provided I can beat the peacocks to them! Adhiraj and Panav have developed quite the taste for raspberries. It’s the first time I have scolded them for anything, and that is saying quite a lot. (Speaking of the peacocks, they have settled into their home here with a familiarity that continues to enchant us. One afternoon I was playing the piano in the front parlor when I had the uncanny sensation that I was being watched. I turned warily to look over my shoulder, and met the inquisitive stare of two peacocks, craning their bright blue necks as if to figure out what the heck I was doing in there making all that racket!)

Adhiraj and Panav*

Hermione and Perdita, the Nubian doelings, are the delight of my heart. We could watch them at their antics forever—though Perdita attempted such a fancy caper yesterday she actually sprained her ‘ankle’ and consequently was prescribed a day of ‘stall rest’. Needless to say she was not too happy about it, but the little hoof was much better today and she’s sporting a fancy pink wrap just in case. It has been so much fun to see those little goats assimilate with the rest of the animals. The sheep were not so sure at first and tried to bully the newcomers. But Puck, their enormous big brother has been gentleness itself. He follows them around, as if to assure himself that they really are goats. And when they are confined in their pen from time to time, I’ll catch him reposing right against the fence on the other side, as close as he can get. My Great Pyrenees, Diana, has been a darling, as well. I watched her in the pasture the other day, napping in the shade near where the goatlings were grazing and then heaving herself up to move closer again every time they edged farther away.

Hermione and Perdita love their new quarters in the barn. Hermione thinks that the manger makes the nicest bed, while Perdita prefers the platform of the yet-to-be completed haydrop.

Let’s see…we’ve had our first honey harvest this summer. We were literally giddy over the taste of two years’ work, although, when it came right down to it I felt rather bad about stealing from the bees. They have really done all the work and I am so proud of my girls. But there was just nothing to compare to that first sample of liquid gold: it was the soul of all our spring flowers infused into one toothsome bouquet.

Ophelia, pre-shearing*

And where have all the other days flown away to? Hoof trimmings and vaccinations and shearing (the sheep didn’t recognize each other for days, silly babes). A jaunt to my beloved Jekyll Island in May. Books read and book club meetings. Mucking and painting and renovating and cleaning and the thousand and one daily things that make up the making of a home.

La mer a berce mon coeur pour la vie...

And writing! Oh, my goodness, I’m writing like crazy this summer! Hoping to finish the rough draft by the end of August, but we’ll see how it goes. I don’t want to frighten the muse away by demanding too much of her.

And thus concludes the most random post I’ve ever written here. All this to say I’m still around, and that I hope you all have the dearest, most magical, summery-est summer of your lives. God bless!

~Lanier

"Summer's lease hath all too short a date..." ~Shakespeare

*photo credit, Griffin Gibson

to be nobody-but-yourself

June 2nd, 2011

in a world which is doing its best,
night and day
to make you everybody else


means to fight the hardest battle
which any human being can fight;

and never stop fighting

e. e. cummings

Taking courage

May 9th, 2011

No coward soul is mine,
No trembler in world’s storm-troubled sphere.
I see Heaven’s glories shine,
And faith shines equal,
arming me from fear.

~Emily Bronte

I wish I could say that I always share dear Emily’s indomitable confidence, but the truth is, fear is a foe I have to take arms against every single day, and never more so than when I sit down at my desk to write.  Last week, for the first time since the end of February, I put new words on my book. Life has been full–richly and intensely–but it wasn’t the busyness that was keeping me from picking up the threads of Story once more so much as the awful resistance of my own apprehensions. It’s always such a miracle to find the grace of words waiting patiently on the other side of that mountain.

I’m writing over at The Rabbit Room today, on art and fear and how faith works on this cowardly soul of mine:

Fear. The giant Apollyon that halts me in my tracks and sneers down all my hopes and aspirations. The paralyzing dread of failure; the horror of being misunderstood that stifles my voice and freezes my fingers above the keyboard. Fear of man’s opinion. Fear that when I open my heart’s treasures to the world, the world will be unkind and trample them underfoot. That morning I felt ill at the thought—I often do. But that’s exactly what it is: a feeling. My desire to write, to communicate and create, is not a feeling but a God-given passion; a relentless yearning that, quite frankly, at some times I rather wish would lie still, but in sublimer moments overspreads my life with the gilt and purple of love’s ambition.

If you care to read on, you can find the rest of the article here:

God’s Own Fool

And thank you, a thousand times over, for reading and caring and praying. Thank you for letting me throw my cap over the fence and thank you for making me brave by your gracious words–I’ve cherished them all. Heaven bless you for it.

In the shop…

April 27th, 2011

Books are the bees which carry the quickening pollen from one to another mind. ~James Russell Lowell

When I was in England visiting friends last month, I picked up some gems for the bookshop (and maybe one or two for myself ;) ). It’s taken me a while to get them listed here, but I so enjoyed scouting in some of the most fertile book-county in the world for titles I knew my customers would love. And I am very excited to share them here in the shop.

I am always on the lookout, at home and abroad, for small, slender ‘pocket’ editions of the classics. There is just something so charming about a great book on a diminutive scale. I managed to turn up some lovely little editions, including Northanger Abbey and Persuasion in one volume, a very pretty Nicholas Nickleby, a hard-to-find Mary Barton by Elizabeth Gaskell (you just don’t find many older copies of her books on this side of the ocean) and Kenneth Grahame’s Dream Days.  There is also a copy of the 1924 classic Precious Bane by Mary Webb, and an edition of Cranford that includes two shorter works, The Cage at Cranford and Moorland Cottage, not to mention titles by Charles Lamb and Thomas a’ Kempis.

Not all of the books are dainty, however. I have a nice cache of Goudges, including a readable copy of the extremely rare A City of Bells. I had a lovely conversation with a kindred-hearted shopkeeper in the Cotswolds over the merits of our dear Elizabeth, and she was delighted to hear that Goudge still has an ardent following in the States and around the world. Indeed, few authors speak to the condition of our age like she does, n’est-ce pas? (And if you are ever in Stow-on-the-Wold, do look in at Evergreen Livres, tucked in an alley off the market square. You will thank me. :) )

I also found some nice ‘Folio’ editions of Jane Austen, some Bronte and a couple of George MacDonald…but I’ll let you have a look and welcome. Just remember to sort by ‘Date Added’ to see the new offerings on the shelves!